The American Association of Advertising Agencies, founded in 1917, is the primary advertising industry trade organization. Collection includes correspondence, annual corporate and stockholder reports for member agencies, meeting minutes and speeches, biographical summaries, a subject file, and videotapes that document selected activities and functions of the organization. The collection has been compiled from a number of accessions received over time, and so does not represent a comprehensive archive of the AAAA. Certain aspects of AAAA activities, however, are well represented, including a set of card files that document the professional careers of AAAA members over a 50-year period, and subject files that focus on Federal Trade Commission (FTC), Federal Communications Commission (FCC) and the Food and Drug Administration (FDA) investigations into complaints lodged against advertisers and advertising claims produced in a variety of media, with a particular emphasis on the ways that products were advertised during and in conjunction with children's television programming. Other topics touched on include advertising self-regulation, antitrust issues, advertising laws, and deceptive and ethical practices in marketing and advertising. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
The purpose of the American Association of University Professors (AAUP) is to advance academic freedom and shared governance, to define fundamental professional values and standards for higher education, and to ensure higher education's contribution to the common good. The collection includes correspondence, reports, proceedings, memoranda, and other materials of the American Association of University Professors from the period when Duke University faculty member William T. Laprade was chairman of its Committee A on Academic Freedom and Tenure (1937-1942, 1948-1953), and president (1942-1943). A sample of the folders shows material concerning academic freedom cases, dismissals, quality of educational support and other matters of concern to the organization's membership. English.
The Durham, N.C. branch of the American Association of University Women was founded in 1913. The records of the AAUW Durham chapter span the years from its founding in 1913 through the 1960s. The central organizational records are almost complete for this period, including minutes of Executive Board meetings, Presidents' files, financial records, membership information, and national and state convention files. The Presidents' files contain chiefly correspondence, but programs, membership rosters, and leadership information are also present. Records are arranged alphabetically by file groups.
The American Catalin Corporation was founded in New York, N.Y., in 1927; it developed the light-colored, transparent, filler-free Bakelite resin in a wide range of colors. Bakelite is the first synthetic plastic, developed by Dr. Leo Baekeland between 1907 and 1909. American Catalin Corporation used its form of the resin for costume jewelry, fashion accessories, radios, and other products. By 1942, the company suspended its manufacture of jewelry and cast items to concentrate on wartime production. After the war, petroleum-based plastics gained favor. Collection comprises a salesman's sample book in a black leather album used to provide a visual guide for the company's products. The album contains primarily 34 black-and-white 8x10 photographs (8 photographs are laid in, all but two are linen backed, those not laid-in are stamped on the back with "Johnston & Tunick Commercial Photographers"), as well as 17 typeset pages containing inter-office memos, sales tips, information regarding the company's competition, and customer testimonials. Several of the memos are written to the attention of D. J. Kelly, who was the salesman for whom the sample book was prepared. There is also a two-page key to the main group of 19 photographs, identifying the Bakelite products in each photograph, as well as the item's final producer. Seven of the laid-in photographs show the corporation's factory, including three of factory workers on the job. The American Catalin Corporation was founded in New York, N.Y., in 1927; it developed the light-colored, transparent, filler-free Bakelite resin in a wide range of colors. Bakelite is the first synthetic plastic, developed by Dr. Leo Baekeland between 1907 and 1909. American Catalin Corporation used its form of the resin for costume jewelry, fashion accessories, radios, and other products. By 1942, the company suspended its manufacture of jewelry and cast items to concentrate on wartime production. After the war, petroleum-based plastics gained favor.
North Carolina affiliate of the American Civil Liberties Union, founded in 1965 and based in Raleigh. The records of the American Civil Liberties Union of North Carolina (ACLU of N.C.) date from the 1960s to the mid-2000s. The collection is organized into the following series: ACLU Historical Files, Executive Director Files, Legal Program, Audiovisual Material, and Print Material. The files primarily focus on the investigation and prosecution of cases related to civil rights, public education relating to civil liberties, and lobbying for civil liberties and human rights. Materials include correspondence files from the Excecutive Director's office and other units in the ACLU of N.C., thousands of case files; administrative files on cases, operations, and attorney's activities; lobbying and subject files; and printed matter and other records relating to outreach and public education activities. There are also some a/v materials and electronic files. Topics include: the civil rights and legal status of legally under-represented groups such as juveniles and high school students, prisoners, gays, and immigrants; education and academic freedoms; religious freedom and separation of church and state; freedom of expression (including desecration of the flag); racial inequalities and injustices; reproductive rights; women's rights; police misconduct and the legality of search procedures; drug testing and the decriminalization of drugs; voting rights, including issues surrounding reapportionment; and workers' rights, including unionization. There are also files on the Ku Klux Klan, Confederate displays, and right-wing organizations. Many of these issues span decades of ACLU involvement. Researchers consulting case files and any other materials should be aware of privacy laws that govern the publication and use of these records. Acquired as part of the Human Rights Archive at Duke University.
Collection consists of a set of sixty-six commercially produced, hand-colored lantern slides, featuring photographic images taken in the early 20th century in areas of modern-day Israel, Palestine, Jordan, Lebanon, and Syria. Also includes an original list of titles and a slide projector. The slides were sold in sets by the American Colony Stores, the commercial department of a missionary community based in Jerusalem. The landscapes and scenes were intended to illustrate biblical sites, or to remind the viewer of well-known biblical passages, but a few also depict other types of archaeological sites. The slides measure 4 x 3.5 inches. Locations include but are not limited to: the city of Jaffa (Tel Aviv); Sea of Galilee; Jerusalem; Bethlehem; Mount of Temptation (identified with Mount Quarantania); Jericho; Jordan River; Mount Hermon; Bethsaida; Mount of Olives; Emmaus (El- Kubebeh); the mosaic floor at Beit Jibrin; River Abana (El-Barada); Tyre; and the Temple of Sethos. There are also two glass slides with maps of ancient Middle East and Palestine. Five of the slides are damaged and are filed at the end of the collection. The collection is accompanied by a lantern slide projector and by an original list of slide titles. Acquired by the Archive of Documentary Arts at Duke University.
The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection consists of materials collected by the American Dance Festival pertaining to choreographers, dance companies, and others involved in modern dance, including printed materials, newspaper and magazine clippings, press kits, programs, and correspondence.
The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a six and a half week summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. The collection includes photographic materials created and collected by the American Dance Festival, including negatives, contact sheets, prints, and transparencies.
The American Dance Festival is a non-profit organization committed to serving the needs of dance, dancers, choreographers, and professionals in dance-related fields. It presents a summer festival of modern dance performances and educational programs, hosts community outreach activities, and sponsors numerous projects in the humanities. Its mission is to create and present new dance works, preserve the modern dance heritage, build wider national and international audiences and enhance public understanding and appreciation for modern dance, and provide training and education for dancers and choreographers. Contains correspondence, lists, administrative materials, memoranda, contracts, legal documents, financial records, class schedules, teaching materials, student records, clippings, press releases, publicity materials, brochures, tickets, posters, and other printed materials created by or related to the American Dance Festival.
The American Dance Festival (ADF) serves the needs of dance, dancers, choreographers and professionals in dance-related fields by supporting the creation of new modern dance work; preserving modern dance heritage; building wider national and international audiences for modern dance; enhancing public understanding and appreciation of the art form; providing a sound scientific/aesthetic base for professional education and training of young dancers; and providing a forum for information on dance education. The American Dance Festival Reference Collection includes clippings, announcements, programs, and other materials pertaining to ADF performances and events held on the Duke University campus. This materials was collected from a variety of sources by the University Archives for use in reference and research. English.