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Note 1: WCBS Television drama, Shakespeare Anthony and Cleopatra. Thelonious Monk Quartet with Hall Overton at the New School. Band. Charlie Rouse, tenor sax; Butch Warren, bass; Frankie Dunlap, drums. CDI begins with drumming section of Anthony and Cleopatra. CDII Play continues until audience applause and WCBS-TV announcement made. Perry Mason to return the next Thursday at regular time. The Nurses next on channel two. Then The Nurses show begins just before tape ends. CDIII Anthony and Cleopatra end of Act I, station ID, beginning of Act II. CDIV Thelonious Monk TV presentation on Channel 13. Baldwin, MLK, Malcolm X presentation "role of the Negro in American" Then Art of the Film.

Note 1: Hall Overton leading Thelonious Monk big band rehearsal. 1. "Monk, you wanna play along with 'em on this one?" "Four and one" (Tune) Piano with band. 2. "Monk's Mood" "Monk plays a full chorus" 3. Full band on tune with quiet comment at end.

Note 1: Thelonious Monk big band rehearsing. Monk, Charlie, Phil, Overton. Very audible Monk footsteps, pacing. "Little Rootie Tootie" Monk talking over music, practice led by Overton. Monk on 2: "Just come in any way you want, you dig?" and "Don't forget to take your music home, 'stan?" (followed by laughter)

Note 1: June 4, 1964. Thelonious Monk big band rehearsing in loft. CDI 1. Town Hall comment. Full band rehearsing song. W. Eugene Smith adjusting levels. Phone rings. Monk enters and toothpick talk and joking. Rehearsal and banter continues on 2 and 3. CDII 1. "Who wants coffee?" 2. Full band playing. Tape sound improves on this track.

Note 1: Hall Overton with Monk big band, Thelonious Monk. Thad Jones referenced. 1. Full band with Overton and Monk directing: "…that's what you want, right Monk?" "these arae the only two rehearsals we're gonna have" -Overton. Phone rings. Monk's feet. Monk jokes "...does that make it easier for you, Thad?"

Note 1: June 4, 1964. Thelonious Monk big band rehearsing in loft. Monk, Hall Overton, Thad Jones. "Little Rootie Tootie" (tune) 1. Full band practicing. Monk entering, Hall Overton leading rehearsal: "Everybody hold the last note, fade out, that's what you want, right Monk?"...Monk " Sound like that thing on the comic book...know what I'm talking about?" (imitates sound) Overton "These are the only two rehearsals we're gonna have...working on basically three scores...last time Monk did all the playing." Monk and Overton directing rehearsal. Monk joke: "Does that make it easier for you, Thad?" tape ends just before they "take it from the top."

Note 1: June 6 or 10, 1964. Thelonious Monk big band in loft. Jules Colomby, Hall Overton, Monk, W. Eugene Smith, James "Spanky" Debrest (Gwendolyn Debrest), Ben Riley, others. CDI 1. Musicians arriving and talking, Hall Overton's voice mention of Carnegie Hall, Lincoln Center. Cats, "ten 'til two", rain. "See you Monk, tonight at seven." James Debrest calling his wife. "Jules going up to Carnegie Hall, now." 2. Spanky Debrest. Eugene Smith. "Did Eugene get recordings of this morning?,...I'd like to hear those, too." Hall Overton gets phone call. "...actually it went very well, Monk seems to be in good spirits..." 3. Cold switch to radio or TV sped up. CDII 1. Sonny Bernstein rehearsal. Sean Adams. Channel 7 call in show.

Note 1: Thelonious Monk, Hall Overton, (White Rose Bar), Spanky Debrest. Mentioned: Martin (Williams the writer?), Lalo Schifrin, Jack (radio?), Ed Weinstock, White Rose, Tracey or (Steve) Lacey, White Rose Bar. 1. whole band rehearsing midsong 2. End of rehearsal, final rehearsal. Talk of White Rose, and Lalo Schiffrin, cigarettes, King Cole, Jack DJ, Ed Weinstock, Saturday morning at 10, Martin leaves phone rings, more piano and sax.

Note 1: 1959. Thelonious Monk, Hall Overton, W. Eugene Smith, Carole Thomas, Lou (Draper?), CDI 1. Monk plays piano. Overton and Monk arranging and transcribing. 2. Same 3. Arranging 4. Playing tune for arranging 5. "Joe" Lots of dialogue. Arranging. Discussion of which tunes to arrange and rehearsal. "We got enough to start, three arrangements." "One song at a time" "One a day" "I think we accomplished something tonight." "Saturday I teach all day but Saturday evening..." (If we do just one tune a day...)

Note 1: CDI. 1. Monk's music played on sax and piano with background voices. Hallway mic picks up clamoring of footsteps. Smith and cat talking. Knock on door. Keys heard upstairs and footsteps back down. More hallway noise and talking "Back up to Hall Overton's with all this shit?" More footsteps of people leaving. CDII Continued hallway noise. Footsteps, piano, and radio in background. Beach Boys, Irma Thomas, Elis Presley, footsteps going up to radio room. CDIII Sped up radio includes Ansel Adams on "The Photographic Image," opera. CDIV Opera continued. "The Black Ships (Kurofune) by Yamada on WBAI-NYC with Tokyo symphony orchestra and Novi.

Note 1: December 15, 1963. "No Monk" "Band subs" Rehearsal for Thelonious Monk big band by Hall Overton. Orchestra subs suggests the band was playing for Overton's arranging. CDI 1. Hall Overton . Mic in hallway picks up Eugene Smith's voice an footsteps. Rehearsing band. 2. Hall Overton leads band through passages. Repetition. 3. People in hallway and Overton leading rehearsal. 4. Smith on stairs talking Female voice. talking about "Steve" and "Rob" Kleenex mentioned., Phone "Hello Lynn/Lin" "Joe will know and he'll let you know." CDII 1. continued big band direction and tuning led by Overton 2. "before we get all completely ragged out the concert is next Monday a week from today. Rehearsal talk and scheduling. 3. More rehearsal, phrase by phrase.

Note 1: December 23, 1963. Hall Overton, Thelonious Monk, Nick (Travis), Eddie (Bert), Rest of Big band?. CDI 1. Overton leads rehearsal. Repetitions of passages. 2. "Nick" and "Eddie" working on specific passage. Thelonious Monk arrives: "It took me an hour and a half to get here" "You got the chorus?" (solo record) . Continued rehearsal. 3. Concert tempo, then taking score from "L". Monk's foot audible. Smith audible. More repetitions (from "J") 4. Continued rehearsal of specific passages CDII 1.

Note 1: January 5, 1962. W. Eugene Smith, Freddy Redd, Hall (and Nancy?) Overton, Tom, Lou, Jimmy, Ronnie, Paul, Pending (cat), Brunehilda (cat) CDI 1. Smith and other. "That's what you like about me, right Lou?" "Nancy's coat" 2. "Oh, I'm supposed to go to Tennessee on Friday." $1,500 from Tennessee, asks for $500. "I was taking pictures of Thelonious" Official photographer, Monk at piano mentioned. "Never get a divorce, just live indifferently." (talking to Freddy Redd) "I like to walk in the fog and the rain...Usually when I'm in a strange city I spend the whole night just walking around." Smith story about making a recording of Hall Overton playing Monk's "Friday the 13th" with Ronnie Free and Fred Greenwell when his cat walks through and Greenwell stops and switches the song to "As Time Goes By" Refers again to cats and the tape recorder(s). 3. Kitten or cat book by Smith alluded to as potention project. "Dave's cat...went off across the rooftops when I couldn't feed her." Cat story. Then photography layout talk by W. Eugene. Giving away prints. Pills. Women, war photography. Radio turned on. Pending addressed. CDII Important W. Eugene Smith extended rave to Freddy Redd, different tape sound 2. Back to regular tape sound. Pending talk. "Portable tape recorder for Japan trip, in portable attache case." Comparing cat in heat to himself in the Pacific, WWII. 3. Room noises. Smith footsteps, and addressing Pending.

Note 1: January 4, 1964. Roland Kirk, Paul Bley, Jay Cameron, Edgar Bateman, Eddie Dehaas. Jimmy's apartment. Other names mentioned. CDI 1. Musicians talking. Roland Kirk's club talk. Mention of Booker Ervin, Don Cherry, WTFM, travel to London, Paris, LA, "Jimmy's fiddle" "Hugh" and listed musicians by first name. Then sax and piano warm up. Music talk. Bob James mentioned as good pianist. "here, take my book" 2. Tune Saxes, bass, drums. 3. Same with great sax passages (again, but less spare) 4. Monk song played but sound drops out at end of tape before song ends. CDII 1. Drum solo midsong to end. 2. Sax bass drum 3. sax leads song Roland Kirk trademark circular breathing "Paul asked to play piano and finally joins in at end of song. . Roland Kirk describing the passage up into the loft "We'll wait until after the session to hit you, Roland."

Note 1: Piano, bass, drum, (at least) 2 saxophone players. Eddie Listengart, W. Eugene Smith adjusts controls. Two microphones 1. Gary (Hawkins), Sonny Clark still at 11th Street. "How long you live there?" "Let's see, about a year, I guess. Where's Sonny living now?" …"Oh yeah, I know the tune you're talking about, 'Minority' let's do that." 2 . Tune 'Minority' Solid playing bass player singings during solo. Solid. Tape ends before song. CDII 1. Conversation about drugs. Eddie getting out of military service by drinking cough syrup and beer. Sax riffing intermittantly. 2. More talk Smith raising volume again. "So you gonna take all your horns with you. " Two trips. Stairway mic picks up stair and street noise. Woman's voice. 3. Mention of Elvin Jones. "Comon Hank, let's go" "He's playing a tune, man." Smith mentioned. Woman "He's downstairs." Important microphone and tape recorder discussion. Mention by Smith of Notre Dame in mic discussion. Camera referenced. "Plastic surgery" discussed on the radio. Mention of getting some sleep. Photo talk ("You got that spotting stuff?") Smith? humming and playing piano.

Note 1: January, 1964. Roland Kirk, Paul Bley, Jay Cameron, Jimmy Stevenson. Edgar Bateman, Eddie Dehaas. CD I 1. Tune in progress. To Kirk after: "Is that something new, that slide?" 2. "Hey, you seen a green cap down there?" Kirk warming up on saxophones. "Eddie Dehaas, Edgar Bateman." Calling musicians to play. 3. Tune played, every good. Ends with long Kirk note on sax. 4. Sax riffs, quiet conversation. Into tune. Tape ends before song does. CDII 1. In middle of drum solo to song end. 2. Talking and playing. With piano this time, Paul Bley. Tune talk with Bley and Kirk 3. Dual saxes into tune with great playing. Tape ends before song.

Note 1: January, 1964. Roland Kirk, Paul Bley, Jay Cameron, Jimmy Stevenson. Edgar Bateman, Eddie Dehaas. CD I 1. Kirk and Bley warming up. Into tune. 2. Bass solo as part of same song then all instruments 3. New tune with piano and talking CDII 1. Quickly into Kirk playing multiple saxophones 2. Same song as one but tracked at whistling sounds made by Kirk. Ends with quiet talk. 3. Song continues. Ends with talking" You folks don't drive..." "No, we walk" into ballad, "Sweet and lovely" that is cut off by end of tape.

Note 1: January, 1964. Roland Kirk, Paul Bley, Henry Grimes…Jimmy Stevenson present. CDI 1. "It never entered my mind" (tune quoted by Kirk on sax) 2. "Sweet and Lovely" 3. "Autumn in New York" - tune (doesn't overlap, whereas 1. and 2. do with previous reel) CDII 1. Continuation of previous tune. Lots of talking. Names. Roland Kirk wants to open a club. Discussion of theater basement across from Five Spot as prospective club. 2. Conversation continued. Bowery Lane Theater. Microphones adjusted by Smith. Bowed bass by Henry Grimes in background. 4. Everyone leaving. Goodnights and thank you.

Note 1: Dec 1963 or Jan 1964. Tandberg recorder. Roland Kirk, Paul Bley, Jay Cameron, Eddie Dehaas. (Saxes, piano, sax, bass). Edgar Bateman, drums. CDI 1. Kirk talking about opening a club 2. Kirk talks more "Ornette's tune" Overlap with 121 2/2 #3. 3. Overlap of 2/2 of 121 "how's about if Eddie grabs your tenor?" "Roland" "Frank Sinatra" story "Hoboken, New Jersey." "Dave Pike" "Edgar, how're we going to manage all this stuff" "Jim, he's the brains." "Dave" Woman's voice: "I want to tell him how beautiful he plays, but..." W. Eugene Smith: "Alright people, get the hell outta here, will ya." 4. Smith in room with cats, radio, maybe female (talking to her or cats away from mics) CDII 1. continued Smith in room with radio. talking in stairway and footsteps leaving CDIII 1. Doors, stairs, cars, voices, cat, spray can "Gene, what's that smell here, is there a smell?" "Yeah, I was spraying some stuff" CDIV 1. Room noise and radio starway noise 2. Jimmy Stevenson on bass and pianist talking over music 3. Ballad with bss and piano 4. More music talk.

Note 1: Dec 1963. Eddie Listengart, Ira Jackson. Jimmy Stevenson. One track. Lot's of talking, primarily between Listengart and Jackson. W. Eugene Smith raises recorder volume at the beginning. Jazz, Charlie Parker and others, Monk ping pong, James Moody, Marcello Piras, Race (Uncle Tom and Kubrick's The Killing scene)

Note 1: Dec 1963 or January 1964. W. Eugene Smith in room, talking. CDI 1. Bass, drums, piano. Midsong. Alcohol or photographic chemicals discussed. 2. Another trio tune with restart. 3. "Gene" and "Eugene" (Smith) addressed by musicians. Small talk. Microphones discussed and described "they don't have that many in record studios." "They went out to get some coffee." Eddie, George, coffee, Christmas, Iclealand, "juice" (all mentioned). Saxophone joins in with more quiet talk. 4. Piano over tlak and into song with sax, bass drums, piano. 5. "Warne" or "Warren" addresssed. SMITH interjects over the conversation to more the microphone and reccorder audibly on the tape. CDII 1. Smith talking again about the recording equipment and process in detail then goes into bass, drums, sax, piano song continued from previous side 2. Talk under sax riffing. "Hey, what chord do you play in that, Eddie?", trumpet, "Pete", "I don't know the lyrics, man." More talking after long tune with several solos.

Note 1: August 7, 1963. Wendell Harrison - Tenor, Paul Plummer - Tenor; Don Cherry - Trumpet, Jim Stevenson Jr - Bass, Earl McKinney-d. Tandberg and 2 AKG 19C mics. Overlaps with Reel 175, CDII. Ray McKinney on bass, according to Jimmy Stevenson. CDI 1. Midsong. Monk tune. Don Cherry plays piano. 2. Tune is "There will come a time" Cherry on trumpet. 3. Talk "solar" "I'm gonna have to split. I gotta go all the way back to (Brooklyn)." CDII 1. Mention of Don Cherry, coming all the way from Brooklyn (denotes CDII being the first side of Reel) Salvador Dali discussed."This is like the one out at the West End Hotel." 2. Gene Smith has drumsticks. Microphones compared to Christmas tree. Musician introductions. 3. Monk tune, Don Cherry on piano? 4. Tune is "Ruby, My Dear" improvised "Why don't you try a little on the piano?" "That's your tune?"5. tune demonstration on piano "Yeah, want to try it?" 6. Full band into tune from previous track. Ends midsong.

Note 1: August 13, 1963. Don Cherry, Eddie, Vinnie Ruggiero, Jimmy Stevenson. (Eddie Listengart?) CDI 1. "Bobby, I put your cymbals on there." "Jimmy is this a different bass?" Tune talk. "Soft as in a morning sunrise." 2. Song starts and restarts. "Play something else" Talk after tune: "I finished all my gin." "Where the hell were you Eddie?" 3. Tune writer demonstrating tune on piano: "You wrote that?" "Yeah." Talk about Charlie Parker and jazz talk. 4. Piano and drums riff with talking "G/Jerry" Someone enters, Paul Plummer. Sal Nistico named as student of Blue Mitchell. "Here the other day" "Haven't picked up the horn in about 4 weeks." 5. Tune is "Scrapple from the apple." Talk afterwards: "If you play piano I'm gonna play the trumpet. You can't play the piano." ...6. Tune until end of tape. CDII 1. Talk includes Eddie, then into "Solar." Jimmy Stevenson talk. 2. Talk includes MIe 3. Into tune talk during music. 4. Warren and Bobby mentioned " Hey Bobby, I want to take a little break" and then into music.

Note 1: (No container information) Piano, drum, trombone, bass, sax, tenor, two pianists. CDI 1. Room noise, musicians' quiet talk, radio (big band), Frank Patty (lived in Miami for/four years), gigs in Queens, Patrician Hotel, Roberta Sherwood. "Don" "We're gonna rehearse..." 2. Talk continues..."I'd like to rehearse, I haven't played in a month." W. Eugene Smith's typewriter audible during tune by full group. 3. More talk and tunes suggested. "Manny" and "Jimmy" Cigarette and bottle mentioned. 4. Talking into "Like someone in love" with restart of another tune. CDII 1. Loose playing and talking. 2. More talk including musicians and W. Eugene Smith. Walls and railing mentioned. Joe, Jimmy, Steve, Manny all mentioned in conversation. Woman still present. 3. tune ends during bass solo (fly me to the moon, mebbe) CDIII 1. More playing and talking picked up from previous side. Smith's voice. Detroit mentioned. Also, "I've been living here for 2 months and I haven't hardly had a chance to live here." (Some microphone fluctuatiom from Smith's adjustments) 2. More loose music and talking, quiet. CDIV 1. More talk Smith/photographer mentioned. 2. Talk and riffing . 3. Tune ends midsong, quiet mic.

Note 1: January 1964. Paul Bley, piano; Jimmy Stevenson, bass. (probably same crew as Reel 129 January 4th, featuring Eddie Listengart on piano and trumpet with: Roland Alexander - Tenor, Edgar Batman-drums, Lex Humphries-drums, Ira Jackson-Alto, Jay Cameron-Baritone, James Stevenson-Bass. 1. Piano bass riff with whistling and talking musicians. 2. More talk: Eddie, Roland Jimmy Lenny, (indicates a break in action, not beginning of session) 3. Trumpet and piano riff 4. More talk "Can you imagine living here, Lex?" ..."Why don't you let Paul play it." "Hey Edgar, why don't you play something, man?" 5. Music talk, urging Edgar to play 6. fragmented song, stopped once by musicians and once by tape. 7. same song after tape correction, played well. 8. New tune, played well.

Note 1: January 3, 1964. Roland Alexander - Tenor, Edgar Batman-drums, Lex Humphries-drums, Ira Jackson-Alto, Jay Cameron-Baritone, James Stevenson-Bass. (Paul Bley on piano?) 1. Midsong "Softly as in a morning sunrise" 2. musicians talk "Bateman" Roland tune begins with piano joining (tape drops out) 3. Same song as previous 4. More talk: bath tub and sink referenced before a long slow version of "Night in Tunisia"

Note 1: January 3, 1964. Roland Alexander - Tenor, Edgar Batman-drums, Lex Humphries-drums, Ira Jackson-Alto, Jay Cameron-Baritone, James Stevenson-Bass. (Paul Bley on piano?) . 1. Bass, piano, drums. Midsong. Ends with sax also. 2. Saxes riff. "Wanna play 'Days of Wine and Roses?" "Yeah" into song with saxophones. 3. Break in tape or overlapping recording (begins midsong) 4. Tune and talk: (Smith raises volume) Talking about Monk big band with Woods, Lacy, Allen, Rouse. Eddie Listengart talk also, 5. "Edgar" "Jay" vitamin pills Zeda/Zeta, bass.

Note 1: 3/1-2/64. Zoot Simms - Sax, Stevenson, Dick Scott-drums, Warren-bass. Perhaps "C" sharp is also playing; 1 side stereo only and only 2 numbers played on it; 2nd side blank. 1. Talk acoustics of auditorium. Discussing musicians, some to call. Bob Brookmeyer, Jimmy Raney, "it's close to 3 o'clock" "little stirngs ...see, they got dampers on 'em" 2. riffs Jay Ellito, Joey Lawson's brother. Gig vs. jamming " When you're not working it sure helps you...play different things. " W. Washington St." "10th and South Christopher" Heating discussed. Dave McKenna. Sonny. Charlie Parker, Roy Eldridge 3. has the "let's blow one" comment at 11:50. 4. Roy Eldridge and Ronnie Law at a club with belly dancers and strippers. Jimmy Stevenson arrives at door and meets Zoot Sims, bpbby Pilke, Edgar and others Eddie was here is his name Edgar, he left about 2 hours ago. "C#" Ray Starling, Al Baldini, Ralph Ross. Apartment (venue) with velvet curtains. Barbara Russell. Dance Birdland. Half Note w Coltrane. Roger Calloway. Dave Pike. 4. tune ng in clubs. Basie at the Vanguard. "working tomorrow down there at 5. "ya get that, Gene?" "Maridigan up there?" Detroit. Marion DeVito. Kenny Crimson, also. dexadrine. Bennies. John Schmidt, Al Haig. C# and wife /Shofreka?/ (Vinnie Burke and Dick Scott referenced) Jimmy Stevenson tuned the loft piano. McPhartlands 6. Minor blues (tune played)

Note 1: Same as August 13, 1963 personnel(?). Don Cherry, Eddie, Vinnie Ruggiero, Jimmy Stevenson. (Eddie Listengart?). CDI 1. Midsong. Steve, Paul, Jimmy Stevenson. "Stay open all night,? Oh yeah. Coffee someplace." Brueghel mentioned. Alan Brogdan, Bill Carron, Tom Weyburn, Steve Swallow noise in the hallway. Hallway mic on. CDII 1. Midsong bass, drums piano. "Who the fuck sat on my hat? Man, what the fuck is that shit?!" 2. Talk with Smith raising and lowering volume to accommodate. Mike, Bob, Birdland, Eddie. "Get happy" (tune) 3. Playing a tune in loft vs. going to Birdland 4. Tune talk "Give me the book, Donald." 5. Birdland mentioned again as well as chick in loft photograph?? Tommy Weyburn story. Photo discussion (about "that chick") and stairway mics utilized by Gene Smith.

Note 1: April 7, 1964. Chris Swenson-stubby valve trombone; Joe Farro, -Tenor sax; Dave-Alto Sax; Joe Hunt-drums; Jimmy Stevenson-Bass; Chick Corea-piano; and A George. CDI 1. Riffs into song drum bass piano sax 2. Riffing longer song "Joe" 3. Riffs over voices "Jimmy" "ed??" CDII 1. Talking and riffing Eddie, Chick, Joe Hunt, Dave, Joe, Pete Yellin???. 2. Piano and drum 3. Nice tune 4. Riffs and talk "Eddie" 5. Good tune 6. Riffing and talk. Packing up CDIII 1. Continued riffing and talking after session. "I gotta make a phone call, I might be going up Park Avenue." 2. "I hate this fucking piano" "Oh it's terrible." Bass and piano continue to riff. Stair mic picks up leaving sounds 3. Street sounds then tape speeds up and Smith? audible.

Note 1: January 1964. Jeremy Steig, flute; Warren Bernhardt, piano; Jimmy Stevenson, bass; drums by John?. Judy present. Smith in building, listening. CDI 1. Othello on radio CDII 1. pSed up voices and street noise. Drum, piano, CDIII 1. More street noise CDIV 1. John and Jimmy in loft. "Oh shit I have to go home to my girl, she hates this stuff." Radio and voices, door and footsteps noises. "North Coast Jazz Quartet" 2. Cont'd room noises and piano audible CDV 1. Door and hall noises. Distant music.

Note 1: January 1964. Jeremy Steig, flute; Warren Bernhardt, piano; Jimmy Stevenson, bass; drums by John?. Judy present. Smith in building, listening. CDI 1. Piano with background singing, drummer using brushes, bass. 2. Talk. Bass players, jazz musicians. "piano tuner coming at 2 o'clock" 3. Music talk. Also: Warren Bernhardt in Guadalajara country club. Drug discussion. It's morning, about 9 o'clock. 3. Piano with talk: "My dad used to do that for a living - silent movies." Also: "I'll grow claws, a little while ago I thought I had claws." (Eliot, Proufrock referenced) 4. Talk: Eliot's Wasteland, painting, coffee, smell from "Smitty",. drugs, working with Paul Winter, orange juice. Money for coffee. . John addressed (drummer). 5. John to get coffee. Barbara Stanwyck in Angle Eyes, "There's a cutrate rate florist down there." Peyote mentioned. CDII 1. Warren Bernhardt meets Eugene Smith. Phone call Jimmy. "How old are you Gene "45" "Play some dexadrine" "You always turn off all the lights, I can't take pictures in the dark." (Smith to Stevenson) 2. Piano and Judy back with coffee from outside 3. "got any Mantovani" 4. "I think I broke a string, Dave." into a blues piano bass drums 5. riffing, ends before tune gets underway. CDIII 1. Piano, bass, drum. "Why don't we call..." 2. Talk about Jeremy Steig. Columbia record. Father working for New Yorker (cartoonist). Judy and John. 3. Judy: "I'll sing" slow ballad 4. tune and talk. Bill Evans mentioned by Berhhardt. 5. John and Jeremy enter: "Jeremy brought us a present." New song with flute.