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The Outdoor Advertising Association of America Poster Designs are comprised of black and white poster designs (for billboard or other transit advertising), some printed on cards and some photographed and mounted in volumes, that document the advertising design holdings of several outdoor advertising companies from 1934 through the 1940s and possibly later. The majority of the designs in the collection are stock posters in preliminary sketch form with simple lines, but the collection also includes finished designs with brief information on exhibition and award status. Stock designs were created without actual brand names so more than one advertiser could use them by simply inserting their own brand name or product into the ad. The designs include work created or acquired by the Donaldson Lithographing Co., Foster and Kleiser, General Outdoor Advertising Co., and the AD-VER-TIS-ER, Inc.

The Outdoor Advertising Association of America Slide Library spans the years 1891 through the 2000s, with the bulk of the collection originating in the 1950s and later. The collection documents over a hundred years of outdoor advertising primarily in the United States, plus some international campaigns from several other continents. The Slide Library is a large collection, almost entirely comprised of slides of billboards, exhibiting a grand range of graphic artistry, advertising campaigns, and marketing strategies. A smaller group of images supports the ad collection with views of artwork, billboard construction and other related images. In addition to over 62,000 slides, there are a few early glass slides, as well as transparencies, a small number of paper files, and six audiocassettes accompanying slide presentations. Many images were submitted by outdoor advertising companies over a number of years to the Outdoor Advertising Association of America (OAAA) as entries in annual national competitions to determine the best poster designs. The OAAA currently sponsors the OBIE Awards, which were preceded by awards programs under various names and sponsorships starting in the early 1930s. The award is modeled after the ancient Egyptian obelisk, considered by many the earliest form of outdoor advertising. Indeed much of the collection can be seen as evidence of this awards program although only the Award Nominees Series contains slides labeled as such. Other slides probably were transferred to OAAA when companies cleaned out their back files, though the precise sources of many items are unknown. The slides were maintained at OAAA primarily as a large supply of creative examples for member companies. Researchers interested in the following subjects may find the Outdoor Advertising Association of America Slide Library especially helpful: the outdoor advertising medium itself, advertising awards, advertising design, billboard construction, and commercial art, as well as the many outdoor advertising companies, advertisers, and advertising campaigns represented.

The Parapsychology Laboratory records span the years 1919-1984, with the exception of an 1893 letter written by Richard Hodgson, Secretary of the American Society for Psychical Research, to William James. Included are personal papers of J. B. Rhine, J. G. Pratt, L. E. Rhine and other Laboratory staff, as well as professional correspondence, research records, legal and financial papers, clippings, and photographs. Over half the collection is represented by correspondence, and about a third of it by research files. Included are editorial files (1942-1959) of Dorothy Pope, Managing Editor of the Journal of Parapsychology, and papers (1957-1963) relating to the tenures of Rhea White and J. G. Pratt as officers of the Parapsychological Association.

The papers of Paris Cleveland Gardner span the years 1834 to 1976, though they fall chiefly in the period 1920 to 1951. They consist of correspondence, legal papers, case files, printed matter, and clippings.

The Patricia Rowe Willrich Papers, 1948-1996, are comprised of published and unpublished autobiographical writings; essays and lectures on contemporary American authors; correspondence with contemporary American authors; and miscellaneous other papers related to 20th century American literature. The writers featured in the correspondence include Maxine Hong Kingston, Larry McMurtry, John McPhee, Reynolds Price, Wallace Stegner, Peter Taylor, and Anne Tyler. The most extensive correspondence is with Anne Tyler and is arranged in the Anne Tyler Papers Series.