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The Southern Christian Leadership Conference (SCLC) is an African American civil rights organization based in Atlanta, Georgia. Its first president was Dr. Martin Luther King, Jr. This collection comprises ephemeral printed materials and other reports about voter registration, protests, and the American civil rights movement, created by SCLC between 1963 and 1968.

According to the organization's website, Southerners on New Ground (SONG) is an intersectional activist organization that works to build, connect, and sustain those in the South who believe in liberation across all lines of race, class, culture, gender and sexuality. It was established in 1994 following a National Lesbian and Gay Task Force meeting. SONG is currently headquartered in Atlanta with regional offices across the South. The accession (2009-0098) (9.6 lin. ft.; dated 1993-2004) includes administrative and financial records, programming materials, and organizational files, all stemming from retreats, training, workshops, and community events sponsored or promoted by SONG. The accession also includes SONG materials from the Bayard Rustin project, People of Color activities, Pride at Work, and the Highlander Economy Educational Institute, among others. The accession (2015-0113) (2.9 lin. ft.; dated 2006-2015) was donated by Caitlin Breedlove, Co-Director of SONG from 2006-2015. It includes administrative and financial records, programming information, flyers and promotional materials and research related to campaign initiatives from her time in the SONG leadership.

Southern Feminist, Inc. was an organization in Athens, GA from 1984-1989 that served as a communications device for women's political activism in the southern states. Their records consist chiefly of administrative files, which includes correspondence, article drafts, and subscription information. Also included is a group of feminist periodicals including Southern Feminist.

Two hundred twenty-six digital oral history interviews documenting lesbian feminist activism and community in the South in the latter part of the 20th century.

The SPLC Intelligence Project Collection includes printed materials, serials, organizational literature, pamphlets, clippings, catalogs, fliers, and correspondence from a variety of groups monitored by the SPLC and its contacts between the 1980s and 2010. Included within the collection are many groups falling within the SPLC Klanwatch and Militia Watch projects. Organizations represented in this collection typically promoted anti-semitic, white supremacist, racist, separatist, or anti-Communist views and policies. Other organizations promoted Second Amendment rights, right-wing Christian and American nationalism, Y2K and survivalist preparations, and the rise of the Confederacy. SPLC's interests expanded across the political spectrum to include both right-wing and left-wing extremist literature.

The Southern Sweet Gum Company was a chewing gum manufacturer in Greensboro (Guilford Co.), N.C. Collection comprises 8 full-color advertising trade cards (approx. 4x6 in.), featuring authors and composers, produced as a purchasing incentive for the chewing gum. Included are cards for Burns, Byron, Dickens, Goethe, Longfellow, Mozart, Schiller, and Tennyson. Missing from the collection are Wagner, Beethoven, and Liszt. The cards are undated, but there is documentation for the company's location in Greensboro between 1898 and 1903.

This collection contains 33 sketch maps of locations in Florida, Georgia, Louisiana, Mississippi, North Carolina, South Carolina, Virginia, and West Virginia. It includes a number of B. P. Baker Co. plats for a tract of land in Gates County, N.C.; plans of subdivisions and improvements in Savannah by Percy Sugden; a map of Durham, N.C., in 1867 by Lewis Blount; a map of Mississippi representing Choctaw and Chickasaw territories and missionary stations by Sarah Coffin; and a detailed plat of the Bennett & Wallace Lands in West Virginia. Maps signed by Robert Jayne, W. F. Brown, John Tebeau, and Ravenel Gignilliet are present.

ALS. Explains that he must defer giving his lectures on fever until the end of the course and that the fever hospital is not yet set up to receive patients.

An auca is a graphic format popular in Spain and especially in the region of Catalonia around Barcelona. The genre dates at least to the 17th century but was banned during the 18th century before experiencing a renewal during the 19th and later the 20th centuries as a uniquely Catalonian form of expression. It takes the form of a cartoon or a comic strip, typically with 48 blocks of image and text, although some may have less. An auca is generally produced as a single sheet, but occasionally a booklet form is used. The captions tend to have some sort of consistent rhyme to assist with the flow and storytelling. Many times the term “auca” appears in the title, but another term, “aleluya,” is used, apparently interchangeably. Some sources indicate that the aleluya originated in Castile and originally included religious elements that were shed over time. The aucas found in this collection are focused primarily on advertising a range of products, businesses, services or entertainments such as films, but also present are public service announcements for topics such as safety, health or the National Lottery. A common format is to relate some sort of tangential or episodic story and end by directly promoting the product or company of choice. Narratives tend to focus on everyday events that most families would be able to at least partially relate to. Many involve nuclear families and the day-to-day trials that they may go through. Common themes involve food, gender roles, entertainment, education, family, race and hygiene. Companies represented in the materials include GAMA, Philips, Procter & Gamble, Puig, and Unilever. Items in this collection appear in both Spanish and Catalan. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.