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Correspondence, mercantile records, account books, bills and receipts, and voting registration certificates of Hobbs, his son James Olin Hobbs, Jr., businessmen of Alleghany and Augusta counties, Va., and the Hobbs family. Subjects include economic conditions in western Virginia, 1835-1875, and conditions in the Methodist Episcopal Church, South, during the early Reconstruction period.

Correspondence, accounts, manifests, and other papers, of James Redding Grist, his father, Allen Grist, and of other members of the family. Materials relate to the operation of a general store, trade with the West Indies, Richard Grist's export business in New Bern, N.C., J. R. Grist's turpentine business near Wilmington, N.C., and his efforts to revive his trade in naval stores after the Civil War. Includes taxation lists, ca. 1815-1816, for Beaufort Co., N.C. Correspondents include Henry Toole Clark. A bound volume, Allen Grist and Thomas Dickinson Ledger, contains entries relating to the operation of a North Carolina general store and an earlier similar operation in the West Indies. The first half of the volume comprises the Thomas Dickinson ledger from St. Eustatius, West Indies, 1780-1781, with entries documenting payments for rum, madeira, clothing for enslaved people, cheese, flour, twine, nails, brown sugar, needles, and other sundries. His relation, if any, to the Grists is not known. The second half of the volume comprises the ledger of Allen Grist of Washington, Beaufort County, NC, 1813-1816, with entries for food, spirits, building material, and other sundries. A few entries in each section record slave transactions: money lent for the purchase of enslaved people, money paid for their labor, or money received for the actual sale of enslaved people.

The subject files, correspondence, and published materials in the James R. Hawkins Papers span from ca.1961-1980, chiefly 1971-1975, and document Hawkins' role in civic life in Durham, North Carolina and provide evidence of the issues and concerns facing the citizens of Durham in the 1970s. The subject files retain Hawkins' original folder titles and alphabetical organization and provide an overview of the programs Hawkins was involved with as mayor as well as a view of the general issues Hawkins encountered while mayor of Durham. The correspondence series is arranged alphabetically and chiefly consists of letters to Hawkins from the citizens of Durham voicing their concerns over such civic issues as development, traffic safety, taxes, and various political issues. The correspondence also contains copies of Hawkins' responses to the letters he received from the citizens of Durham. This collection would be of value for scholars studying the recent history of the south or for those wishing to gain a clearer picture of the functioning of city government in the recent past. This collection is open to researchers and has received a minimal level of processing.

The Williams Papers span the period 1836 to 1947 with the bulk dating from 1904 to 1942. The collection contains the following series: Diaries and Reminiscences; Correspondence; Subject Files; Legal Papers; Financial Papers; Writings and Speeches; Miscellaneous; Clippings; Printed Material; and Pictures. Correspondence comprises the majority of the collection and particularly focuses on Williams's professional career during the period from 1910 to 1925 when he was editor of the Tucson Citizen and the Boston Evening Transcript. While the collection documents aspects of Williams's personal and professional life from his college days through the early 1940s, the last twenty years of his life are not included. There is as well very little information about the Teapot Dome Affair in the correspondence, which occurred during the period covered by the collection.

The Jane Clarke-Owen Papers consist primarily of Dr. Clarke-Owen's letters to her two daughters and other family members, and letters from each daughter to Dr. Clarke-Owen and other individuals. The bulk of the letters were written between 1886 and 1919 and document the domestic lives, financial difficulties, and relationships of the women in the Clarke family. The letters written by Dr. Clarke-Owen document her years as a medical student in Chicago, her struggles in the medical profession, and her domestic life. Therese Clarke's correspondence chronicles her life as a working actress in the early 20th century and her domestic life. The Laura Clarke letters are primarily concerned with domestic and financial matters and her prospects as a sales clerk for various shops and department stores on the east coast. Miscellaneous correspondence includes letters from family members and friends to all three women, and a small selection of the business correspondence of Thaddeus "Tom" Clarke. The collection also includes clippings and programs of the performances of Marguerite Urquhart, the stage name employed by Therese Clarke, and a photograph of Jane Clark-Owen from 1870. Miscellaneous papers in the collection include undated and unaddressed cards, notes, and letters.

The Jane L. Berdes Collection (1525-1993) has as its focal points the four Venetian welfare institutions known as the Ospedali Grandi and their role as providers of musical training for girls and women. The inclusive dates for the collection begin with the dates of primary materials Berdes collected and extend through her lifetime. The collection consists primarily of Berdes's research notes and materials on the Ospedali Grandi, and photocopies or microfilms of primary sources, including musical scores in manuscript and printed editions. It also contains correspondence, photographs, recordings and printed materials. Berdes identified the maestri of the Ospedali Grandi, the music performed, and the names of over 800 women who were members of the cori , but relatively little is known about them individually with the exception of Maddalena Lombardini Sirmen. In addition, the collection features general materials pertaining to other women in music throughout history. The user is advised that some photocopies are unattributed and, where Berdes did not indicate composer or author, no attempt has been made to provide one. The archive contains very few of Berdes's personal papers.

The Jazz and Big Band Reference Collection contains clippings, promotional material, records, correspondence, and other material about the history of jazz at Duke University. Topics include information on Duke's various student jazz ensembles and big bands, visiting musicians who performed at Duke, the Mary Lou Williams Jazz Festival, the North Carolina International Jazz Festival, and the Thelonious Monk Institute of Jazz. This collection was compiled from a variety of sources by the University Archives for use in reference and research.

Collection documents the artwork and printed promotional materials Robert K. Jeffery commissioned, used, or referenced in diamond advertising. Most items are the output of the advertising agency N. W. Ayer and Son, Inc., often featuring De Beers diamonds and outdoor advertising promotions. Other items are more general to the diamond marketing industry, including marketing statistics, and gemology periodicals. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.