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Duke University Professor of History. Materials and recordings used in preparation for Mauskopf's book, The Elusive Science, and other research on the history of parapsychology and psychical research. Also includes articles by Mauskopf and other historians, scientists, and psychologists.

Cosmetics company, founded in 1909 by Max Factor (1872?-1938), a Polish cosmetician. Collection contains materials that comprised the Max Factor Make-up Studio's campaign for "The New Art of Society Make-up." Includes two booklets with courtesy cards that enabled the holder to order free make-up samples appropriate for their complextion and features. A "Miss Thennis" likely used the courtesy cards, for there is a letter addressed to her regarding the products and their application, a completed make-up color harmony chart that may have accompanied the letter, as well as sample envelopes for rouge (unopened, containing a powder puff) and face powder. Also contains a product order form.

Facsimile of a photo of Sir Arthur May in naval uniform.

The Mayer, Merkel & Ottmann lithography company was active in New York under that name from 1874-1885. Pond's Extract was a homeopathic remedy first produced in 1846 by Theron T. Pond. The poster is a color lithograph, approximately 30x59 cm. Text reads: Pond's Extract sold only in bottles with buff wrappers--vegetable pain destroyer. Images show cherubs with laboratory equipment making the extract above an outdoor scene: a bridge over water, garden statue, frogs and an owl. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Thomas Mayer (1927-2015) was a professor emeritus of economics at the University of California, Davis. This collection documents his professional life through his correspondence and writings. It was acquired as part of the Economists' Papers Archive.

ALS. Refers to Mayo's efforts to secure Davy's appointment as consulting surgeon at Yarmouth.

These 75 black-and-white (11) and color (64) exhibit photographs were selected from 297 images collected online from the crowdsourced project, "Looking at Appalachia," directed by documentarian Roger May. They were taken by 51 photographers from a wide range of backgrounds and aesthetics, from a hobbyist retired coal miner to a young photojournalist working regularly for The New York Times. States represented include: Alabama, Georgia, Kentucky, Maryland, Mississippi, North Carolina, New York, Ohio, Pennsylvania, South Carolina, Tennessee, Virginia, and West Virginia. Subjects include portraits of people, rural landscapes, and farm and town life, with social events predominating. Sizes range from 14x23 to 16x20 inches, along with several 3.25 x 4.25 inch prints. Acquired by the Archive of Documentary Arts at Duke University.

The Donnamarie Mazzola papers document feminist activism in Philadelphia in the 1980s-90s. The collection includes materials from training courses from various feminist coalitions working to end domestic and sexual violence against women, syllabi for Women Organized Against Rape trainings, materials from various Take Back the Night marches, clippings, and periodicals.

This collection of print materials, many of them rare and ephemeral, was assembled over many decades by Guido Mazzoni, an Italian Senator, Dante scholar, professor, and bibliophile. The approximately 49,648 pieces span the years 1572 through 1946, with the bulk dating from the mid-18th to the early 20th centuries. Topics range widely and include Italian politics, particularly the rise of Socialism and Fascism; Italian humanities, especially poetry, theater, and opera; Dante studies; patriotic writings, including some by Mussolini and others in his regime; and the history and context of both World Wars. Popular literary and cultural serials abound, many with writings by noted authors, including women writers. Given Mazzoni's background in academics, his friendships with publishers, and his residence in Padova and Firenze, many of the authors are Jewish. Many of the pieces were sent to Mazzoni from former students or colleagues and are inscribed to him. Mazzoni collected many rare pieces from the 17th, 18th, and 19th centuries; broadsides from Napoleonic, Medicean, and Borbonic Italian regions are numerous. Formats represented in the collection include: pamphlets, offprints, clippings, full-issue newspapers (many from the Piedmont), libretti, scores, manuscript items, small cards, periodicals, small volumes, political broadsides, epithalamia (pieces produced on the occasion of a wedding), and one handmade photo album. There are many illustrated publications, fine engravings, woodcuts, and items with map inserts. About 80 percent of the material is in the Italian language: other common languages include Latin, French, English, German. There are also some publications in Greek, Spanish, Catalan, Portuguese, and Eastern European languages.

John Moore McCalla was a militia officer and civil servant, of Lexington, Ky., and Washington, D.C. Collection contains correspondence, receipt books, scrapbooks, family cookbook, and other papers, relating to Civil War politics; local Kentucky politics (1820-1870); the Mexican War; presidential politics, especially Polk's election (1844) and the second inauguration of Abraham Lincoln; the American Colonization Society; American Party; and the family's opposition to Henry Clay. Includes a journal of John Moore McCalla, Jr., describing a journey to Liberia in 1860 and his activities in Washington in 1861. Also contains letters from former McCalla slaves in Liberia, and letters of John M. McCalla, Sr.'s father, Dr. Andrew J. McCalla, including several discussing the treatment of the insane and the Eastern Lunatic Asylum in Lexington, Ky. Includes records of James M. Varnum and Joseph M. Varnum's estates, inherited through Helen Varnum Hill McCalla. Also contains family papers including letter books, notes, finances, and miscellany.