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Officer, 4th Regiment of British Osmanli Cavalry in Syria. Chiefly to Colonel Walpole from British diplomats and military officials concerning the conduct and training of the British Osmanli Cavalry, an irregular regiment of Moslem horsemen from the Turkish provinces known as Bashi-Bazouks. Walpole was on a special mission to Syria and the regiment was being recruited to serve in the Crimean War. Some letters also refer to the interaction between Turkish and British officers. Other letters concern Colonel W. F. S. Beatson, who had been placed in charge of recruiting the contingent of Bashi-Bazouks and was then relieved of his duties. List of letters at the end.

Lawyer, and Governor of Virginia, from Winchester (Frederick Co.), Virginia. Papers contain letters from Holliday while a student at Yale University, 1846; papers relating to the 33rd Virginia Regiment, which Holliday raised and commanded during the Civil War; letters concerning the International Exhibition held in Philadelphia in 1876, at which Holliday served as a commissioner from Virginia; and letters and papers relating to Holliday's election as governor in 1877; and letters from his term as governor, for the most part dealing with routine political and administrative matters. Also includes printed matter and scrapbooks of clippings and letter books created while Holliday was a student at Yale and at the University of Virginia, 1845-1849, and as governor of Virginia, 1878-1879; and four record books concerning Holliday's legal work.

Frederic L. Ellis was an insurance officer and manager at North Carolina Mutual Life Insurance Company. This collection includes photographs, clippings, assorted correspondence, and certificates received by Ellis during his 50-year tenure with NC Mutual.

Frederic N. Cleaveland (1915–2005) served as assistant dean of men at Duke University from 1937-1941 and as provost and professor of political science from 1971–1979. In the interim, he was a professor of political science and researcher at the University of North Carolina at Chapel Hill. He was educated at Duke (AB and MA in history) and Princeton (MA and PhD in politics). His papers contain correspondence from colleagues in the academic community in relation to his career and professional/community involvement. It also contains photographs, employment files, various handwritten speeches and manuscripts. Materials ange in date from 1938-1983.

Fred Panzer was Vice President of the Tobacco Institute from 1971 to 1980. The Tobacco Institute was founded in 1958 by twelve U.S. tobacco companies, whose interests it represented. This collection contains materials from Fred Panzer's career at the Tobacco Institute from 1950 to 1981. Collection also includes materials from 1983 to 2001. Acquired as part of the History of Medicine Collection and as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Freedman's Savings and Trust Company was a bank established for newly emancipated Black Americans in 1865. The bank closed in 1874 but remained under the charge of commissioners for over a decade to wrap up its activities. Collection consists of 13 congressional reports related to the Freedman's Savings and Trust Company after its closure in 1874. The reports largely address and report on the bank's remaining financial assets, depositors' petitions, depositors' losses, and repayments to depositors. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

The Freeman Center for Jewish Life opened in 1999. The center strives to create a dynamic Jewish community that expresses the full spectrum of Jewish identity. This collection contains administrative records related to the planning, development, construction, and dedication of the Freeman Center. It also includes materials related to Jewish students at Duke, the discussion around a mikveh in the Freeman Center, Hillel-Center for Jewish Life relations, the merging of the Center for Jewish Life and Duke Hillel, the Chronicle newspaper's Holocaust denial ad controversy, and events on campus.

Free to Dance: The African-American Presence in Modern Dance was a three-part television documentary co-produced by the American Dance Festival and the John F. Kennedy Center for the Performing Arts in association with Thirteen/WNET New York. The series aired on PBS' Great Performances: Dance in America in 2001. It chronicled the role of African-American choreographers and dancers in the development of modern dance as an American art form. The collection includes film, video, sound recordings, oral histories, interview transcripts, business records, photographs, clippings, and research materials created or collected during the production of the three-part television documentary Free to Dance.

Freewater Films is a student-run programming committee within the Duke University Union (DUU) responsible for both screening and producing films. Film exhibitions have included weekly and summer series, as well as special event screenings featuring particular directors, actors, or genres. As a film production resource, Freewater has provided grants of film stock, equipment, processing, lab work, and technical instruction to members of the Duke community. The collection includes paper records and various film and tape elements produced by Duke students in the making of their original films. Formats include 35mm film, 16mm film, 8mm film, Betacam SP cassettes, audio cassettes, VHS cassettes, DAT tapes, as well as DVDs. The collection also includes some paper documentation associated with particular films, as well as publicity materials and subject files. Film topics include North Carolina environmental issues, poverty in Durham, political rallies, faculty interviews, campus construction, and student performances. Also included are fictional films on psychological, philosophical, or romantic themes, which feature familiar campus locations such as Perkins Library, the Duke Gardens, the Chapel, or the Duke Hospital. The collection also includes compilation tapes of entries from the annual Hal Kammerer Film Competition, as well as film experiments undertaken during Freewater film workshops. The collection is organized chronologically, then alphabetically by film title. In cases where the creators had grouped multiple reels of a particular film into a small box or a can, these groupings were denoted as reel 1-3 of 3, etc. Where available, synposes written on film cans were summarized and included in this finding aid. The majority of these synposes were written by Freewater Productions participant Benjamin Epps.

Three binders of black-and-white and color photographs of a variety of products and services available in mid-20th century France. Photographs largely depict packaging and point-of-sale displays with some photographs of retail spaces and trade show displays. No explanatory text accompanies the photographs. Creator of the binders is unknown; however there are photographs showing a Publicis exhibit or office display. Product types depicted include alcoholic and non-alcoholic beverages (beer and liqueurs), Cigarettes, cosmetics and toilet preparations including feminine hygiene, food, household appliances, non-prescription drugs and remedies, and transportation. Companies represented include Boeing, Buitoni, Chesebrough-Pond's, Cinzano, Coca-Cola, Colgate-Palmolive, Evian (Danone), Frigeco, Frigidaire, Gillette, Gitane (Imperial Tobacco), Helena Rubinstein, Kleenex (Kimberly-Clark), Maizena (Knorr), Nestle (Vittel, Nescafe), Nivea (Beiersdorf), P.J. Carroll, Parker Pen, Philips, S.C. Johnson, Tampax, Thermogene, Trans World Airlines, Unilever and Vicks. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.