Collection documents in great detail the histories of the McKeen and Duren families, particularly of Silas, Phebe, and Philena McKeen. Topics of note documented through correpondence, diaries and journals, other peronal papers, printed material, and images include: religious thought and institutions in New England; the education of women and the careers of female educators; photography throughout the 19th century; the Civil War and its effects on New England society; westward migration patterns; social life in Massachusetts and Vermont; family relations in the 19th century; 19th century New England women writers and their activities; and New England genealogy. There are also many clippings in the scrapbooks debating the abolition of slavery, many written by minister Silas McKeen. The photographs series is large and offers many fine examples of 19th century portraiture and photographic processes, including ambrotypes, cyanotypes, daguerreotypes, tintypes, albumen prints, postcards, and early gelatin silver and platinum prints. The majority are portraits but there are also interiors of family rooms and images of educational institutions, especially Abbott Female Academy in Andover, Massachusetts (now Abbot Academy), whose principal over several decades was Philena McKeen. Three photograph albums round out the photograph series.
Family of Irish origin living in Pennsylvania, Baltimore, and Washington, D.C. Family and business correspondence and invention papers of an Irish Catholic family living in Pennsylvania, Baltimore, Md., and Washington, D.C., whose members engaged in promoting inventions. The papers center on John Francis McMullen (1830-1900), and his wife, Lavelette (Johnson) McMullen. Includes letters from relatives in Ireland, from Virginia cousins and friends, from nuns of the Order of the Visitation of Holy Mary, from business acquaintances, from friends traveling in the U.S. and Europe, and from the novelist Mary Johnston; and papers relating to the settlement of a disputed legacy left to Mary McMullen by Miss Jane Agnes Riggs, the last of the children of George Washington Riggs, Washington banker. Also includes manuscripts of the Confederate poet, John Banister Tabb, writings of Dysart and Mary McMullen, letters and poems of William Hand Browne, editor, author, and librarian, and correspondence of Mary McMullen which gives glimpses of the Riggs family.
Dr. McMurry Richey was a faculty member of the Duke Divinity School and long-time director of the school's continuing education program. His papers cover a variety of topics, including materials related to continuing education, Duke Divinity School's annual convocation, the church and society, ethics, race relations, Duke's integration, and poverty.
Shot during fifteen-day Amtrak train excursions, "In Search of Great Men" by photographer McNair Evans combines original photography with first-person, passenger-written accounts in an exploration of contemporary American culture and the people traveling on the Amtrak trains that criss-cross the United States. The photographic body of work consists of 30 large color digital prints, all sized 24x29 inches, featuring portraits of travelers and settings in train stations and passenger cars. The color prints are accompanied by a reproduction of a handmade photonarrative journal of 156 pages with 76 4x5 inch inkjet photographs, paired with comments and journal entries by the photographer, and reproductions of handwritten commentary by the passengers, who reflect on their lives and circumstances, including long-distance family relationships and problems with drug abuse. Acquired as part of the Archive of Documentary Arts at Duke University.
Collection comprises correspondence, legal papers, business records, bills and receipts, photographs, writings, recipes, clippings, and other items relating to the life and career of businessman M.C. (Marshall Clayton) Stoner, of Chambersburg, Pennsylvania, and three generations of the Brewer and Stoner families from Pennsylvania and Maryland. Includes many speeches by George W. Brewer, a lawyer and senator in the Pennsylvania legislature, 1857-1859, and M.C. Stoner's father-in-law. Much of the correspondence and other items relate to coal mining and specifically to M.C. Stoner's Rocky Ridge Mining Company. There are also letters written to Stoner's daughter, Louise, chiefly from male friends.
Media Services (also referred to as Duke Studios) provided broadcast quality media production services to all parts of the Duke University community. Its services included video and audio production and post-production (including event documentation), project design, production equipment rentals, tape duplication, custom CDs and DVDs, and computer graphics and animation. Collection includes audio and video recordings of campus events, programming produced for various university offices and departments, and musical recordings. Campus events include basketball, football, the inaugurations of presidents Richard Brodhead, Keith Brodie, and Nannerl Keohane, dedication of the Doris Duke Memorial, the retirement and funeral of Terry Sanford, events related to September 11, 2001, a remembrance of Benjamin N. Duke, and commencement ceremonies. Authors, scholars, and other notable people represented include John Hope Franklin, Jesse Jackson, Reynolds Price, Ronald Reagan, Elie Wiesel, Billy Graham, C. D. Wright, Gerald Barrax, Elizabeth Cox, Tim McLaurin, Eric Meyers, Orrin Pilkey, and Alex Roland. Musical recordings include the Duke University Concert Band, Dan Locklair, and 1980s rock band the X-Teens.
Meinrad Craighead (1936–2019) was an award-winning artist and writer whose works focused on humankind's relationship with God. She had lived and worked around the world, but eventually settled in New Mexico in the 1980s. The collection includes letters; photographs; exhibition catalogs and publicity; public response to her poems and books; research and notes on mythologies, art, and nature; and other personal materials from her life. The materials largely date from the 1960s through the 2000s, covering her scholarship in Europe, her time in England as a nun in Stanbrook Abbey, and the years following her return to New Mexico. Includes Craighead's prayer books and psalters, some dating from the early 1900s, as well as some copies of her own publications and artwork. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Collection consists of two documentary photography series taken in India by Melanie Dornier. "Mahila Thana: All Women Police Station" is comprised of 56 color digital photographs, taken in 2016, recording daily life inside the walls of the All Women Police Station of Gurugram, Haryana. The images convey the human impacts of woman-specific crimes and social justice, and the role of the police station and its female officers as a safe haven for distressed and abused women. The 54 color digital prints in "Punch My Face: Women's Boxing in India" document the daily life and experiences of Meena Kumari, a wife, mother, daughter, police officer, and boxer, 2013-2016. All prints measure 11 3/4 x 8 inches. Acquired as part of the Archive of Documentary Arts and the Sallie Bingham Center for Women's History and Culture at Duke University.
Melanie Morrison is an author, speaker, pastor, social justice educator, and lesbian feminist anti-racist activist. The Melanie Morrison papers reflect her ministerial career as well as the life and works of her mother Eleanor Shelton Morrison and the non-profit they co-created, the Leaven Center, which offers social justice workshops and retreats. The collection contains correspondence, writings, research/reference materials, photographs, and other documents related to the careers of the two women and the activities and organization of the Leaven Center. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
Collection consists of 80 black-and-white photographs taken by native New Yorker Mel Rosenthal, stemming from two documentary projects. The first documents the destruction by arson of an entire South Bronx neighborhood in New York City in the 1970s, with images of burned-out buildings and inhabitants who were forced to abandon their homes. The second project depicts Arab Americans, including men, women and children of Syrian, Egyptian, Moroccan, Algerian, Jordanian and Palestinian descent, living in New York State during the last decade of the 20th century and the early 2000s. Scenes include images of children, professionals, neighborhood life, and the religious lives of Christians, Muslims, Greek Orthodox, Maronites, Jews and Coptics. The gelatin silver prints measure 11x14 and 16x20 inches. Also included are some publicity items for exhibits and a workshop on documentary photography, and an audiocassette recording of Rosenthal speaking at an exhibit opening in 2004. Acquired as part of the Archive of Documentary Arts at Duke University.