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Kenny Williams was a professor of English at Duke University. Her collection includes memorabilia, correspondence, department memoranda and manuscripts.

John W. Williams was a Philadelphia lawyer. A small collection of legal papers, correspondence, and clippings chiefly concerning an 1835 lawsuit in which Robert Aitken of Baltimore alleged that a mulatto girl living in Philadelphia was Emily Winder, the daughter of Milly Winder. Milly Winder was Aitken's former slave whom he had freed in 1824, while keeping her daughter as his slave. Aitken claimed that the child had been stolen from him and given to Jacob Gilmore and his wife, free African Americans, to raise as their child. John W. Williams handled Aitken's suit for the girl's return. Includes affidavits, subpoenas, and notes on the testimonies of both black and white witnesses for the defense and the prosecution, including the testimony of Milly Winder, who told of her attempts to locate her daughter after she was freed.

Documentary photographer and instructor at the School of Visual Arts in New York. Fourth recipient of the biennial Center for Documentary Studies/Honickman First Book Prize in Photography in 2008. (Acc. 2009-0141, 2009-0245, and 2009-0246) (14 items; 4.0 lin. ft.; dated 2000-2006) includes 10 (20x24) platinum/palladium contact prints and 3 (20x24) pigment ink on rice paper images from Williams' book, The Bathers, featuring women bathing and lounging in Turkish and Hungarian bathhouses. Also includes a CD of an artist talk given by Williams at an exhibit opening in 2009. Acquired as part of the Archive of Documentary Arts (Duke University).

Helen Maria Williams was a British novelist, poet, and translator of French-language works. Collection comprises four letters written by Helen Maria Williams, two to her nephew, Athanase Laurent Charles Coquerel, one to Mrs. Joel [Ruth] Barlow, and one to an unidentified recipient.

George Williams taught in the English Department at Duke University. His collection includes lecture materials, correspondence, department and University correspondence, memoranda, and conference memorabilia.

ALS. Inquires after a paper submitted for publication.

Daniel McGregor Williams was a University of North Carolina graduate, civil engineer, water resources expert, and member of Company D of the 105th Engineers Regiment of the 30th Division of the American Expeditionary Force in the latter part of World War I. Collection is arranged into six series: correspondence, 1917-1918; addresses and writings, 1918-1933; miscellany, 1917-1957; clippings and printed material, 1918-1975; pictures, 1918-1920s; and volumes, 1924-1952. Correspondence includes commendations and military orders, while the writings include a personal account of Williams's war experiences, with detailed information on his division, its members, and engagements. Printed materials include clippings about Durham, North Carolina's water supply. World War I photographs include members of Company D, 105th Engineers, and the ship ZEALANDIA. Some photos are from the early 1920s and some show a clearing of land for the building of an electric power plant in Asheville, N.C. The volumes include a report on the power possibilities of the Flat River; a report on water improvements for Durham, N.C.; an annual report of Durham, N.C.; and a report on steps necessary to insure electric power in Rocky Mount, N.C.

Confederate Army officer, planter, and official of Hampton County, S.C. Mainly personal letters of Williams and his family, concerning his Civil War military service in the 25th and 47th Georgia Infantry Regiments, his efforts to become a planter after the war, his personal life, and his work as sheriff and auditor of Hampton County, S.C. Includes early land deeds, and letters from a physician who served in Cuba and Puerto Rico during the Spanish-American War.

Collection is arranged in two series: watercolor paintings by artchitect and amateur artist Amory Leland Williams, painted from 1923 to 1939; and a group of etchings by various noted American artists, dating from 1921 to 1957, collected by Williams. Most of the watercolors measure about 12x19 inches, and were painted in southern France and Italy, with a few from southern California and the American or Mexican desert. In Europe, Williams painted in brilliant scenes of Greek temples, churches, barns, canals, gardens, and monuments. The etchings are by notable American printmakers such as John Taylor Arms, Louis Rosenberg, and others. A handful are in their original portfolios, as published by the Society of American Graphic Artists.