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Carol Georgette Lake Bradley (1922-2006) was a distinguished graduate of Duke University, class of 1943. Collection consists of eighteen handwritten spiral-bound volumes containing her memoirs, in which she describes in detail her childhood, school years, World War II, experiences at Duke University, marriage, motherhood, and teaching career. Includes a narrative on the death of one of her children from polycystic kidney disease. Filed inside the volumes are letters, photographs, clippings, programs, and other memorabilia. Related materials, created by Bradley's family, comprise transcriptions, printed digital scans of the pages, and over 3000 electronic files, chiefly photographic images and texts such as transcriptions and indexes. Acquired as part of the Sallie Bingham Center for Women's History and Culture at Duke University.

The Carolina Justice Policy Center (CJPC) was a nonprofit organization founded in 1975 under the name Prison and Jail Project in Durham, North Carolina, whose primary mission was criminal justice reform in North Carolina. The collection comprises CJPC's office files and records documenting its staff and activities over the span of four decades, as well as the work of other local, regional, and national organizations. The records include correspondence, including exchanges with inmates and attorneys; meeting agendas and minutes; operational files; court records and case files; research files; books, articles, reports, and clippings; some photographs; a few born-digital items; and analog audio recordings, films, and videos. Includes a group of materials on Velma Barfield, executed in 1984. Topics include criminal justice and sentencing reform; the death penalty; prison conditions and construction; juveniles and women in the court and prison systems; prison-related statistics; alternatives to incarceration; racial justice; violence prevention; and rehabilitative programs. Acquired as part of the Human Rights Archive at Duke University.

Carolina Wren Press is a literary press publishing poetry, children's literature, and other books, and was founded by Judy Hogan in 1976. The Carolina Wren Press records include the records of the literary press as well as Judy Hogan's papers.

Copywriter and executive at several U.S. advertising agencies, including Warwick & Legler, D'Arcy MacManus & Masius/deGarmo and Grey Advertising. Collection spans 1960s-2006 and includes proofs and tearsheets, correspondence, printed material, storyboards and other materials documenting Bien's career in advertising. Companies and products represented include Campho-Phenique, D-Con, Gerber, Helena Rubenstein, Karo, Mazola, Midol, Panasonic, Pepsi, Playtex, Seagram, and Timex. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Caroline Crane Marsh was a poet, author and advocate for women’s rights. Collection comprises a letter Caroline Crane Marsh wrote to Mrs. Botta (1872 May 24). Topics in the letter include the illness and death of her beloved niece, Ellen, the publication of her husband's confidential dispatches and his resulting illness, as well as the support her husband has had from officials within the Italian government following the publication crisis.

Collection comprises 63 exhibit-quality black-and-white photographic portraits of Durham, North Carolina citizens of all races, ages, genders, and sexual orientations, taken from 1989 to 1992 for a Center for Documentary Studies project. Subjects include activists, writers, older people, working class men, friends, couples, and families. Many of the individuals were alumni of Duke University. Also includes several prints and a brochure from an exhibit entitled "Home Ground," featuring Vaughan's family and landscapes from two family farms, 1977-1987. Formats include gelatin silver, Polaroids (some in color), and four palladium/plantinotype prints, along with a hand-pigmented, textured print. The photographs range in size from about 8 3/8 x 10 3/4 inches to 11x14 inches and are all matted, captioned, and signed. Acquired as part of the Archive of Documentary Arts at Duke University.

The "Asians in America" house course was the first course pertaining to the Asian diaspora and Asian American studies to be taught at Duke University. Undergraduate student, Caroline Wang, organized and instructed the class in the Fall and Spring of 1982. The collection contains syllabi, course proposals, readings, and materials related to Wang's senior thesis about Japanese American internment during World War II.

Carolyn Kimmelfield Balleisen (1930-2020) was an attorney in estate and tax law and active member of several nonprofit organizations dedicated to social justice and other issues, including school desegregation, early childhood education, and fair housing. The collection includes materials related to Carolyn Balleisen's professional and community organizing activities, including her involvement with the National Council of Jewish Women; school desegregation in Louisville; education and schooling in Lousiville and Kentucky more broadly; tax and estate law; and other subjects.

Carrie F. Young was one of the first advocates of women's suffrage in California, and was an activist for other political causes. Young eventually became a physician, the first woman to receive a medical diploma in California, from the Oakland College of Medicine in 1884. Collection includes miscellaneous written materials; flyers, handbills, and broadsides; and copies of serials.

Carson McCullers (1917-1967) was an author, born in Muscogee County, Ga., as Lula Carson Smith. Her husband was Reeves McCullers. Her works included The Heart is a Lonely Hunter (1940) and The Member of the Wedding (1946). Collection consists of correspondence between McCullers and Tennessee Williams, Dame Edith Sitwell, and cousins, Jordan Massee, Jr., and Paul Bigelow; writings by McCullers; poems by Dame Edith Sitwell; and clippings; together with correspondence from McCullers' mother, Marguerite (Waters) Smith, to Massee and Bigelow, and other papers. Topics include the relationship between McCullers and Williams and their lifestyles, health, moods, travels, residences, and attitudes toward well-known contemporary writers, and McCullers' relationship with her husband, Reeves.

Letter (ALS), referring a patient to Dr. Husson's care. Includes transcription and translation.

Papers include a receipt of payment for attendance by Wistar upon a Wm. Cohen, and an 1839 invitation card to a Wistar Party.

Catherine Cameron Figart was a woman living in Pleasantville, New York, who kept a daily journal for much of her life. The Catherine Cameron Figart papers primarily consist of 33 bound diaries written by Catherine Figart, as well as a few loose papers and pieces of correspondence.

Lesbian feminist writer and magazine publisher, resident of Durham (Durham Co.), N.C.; co-founder of SINISTER WISDOM, a multicultural lesbian literary and art journal. The Catherine Nicholson papers contain materials dating from 1897 to 2005, with the bulk of the collection dating from 1974 to 2005. Materials in the collection primarily document Nicholson's directing and theatre related activities, her work on Sinister Wisdom, and her membership in the group Old Lesbians Organizing for Change (OLOC). The collection comprises correspondence; personal and professional writings and supporting materials; photographic materials; publicity about theatre and of plays directed by Nicholson; audio recordings; and ephemera. Included are play scripts written by Catherine Nicholson and other playwrights, and scripts with directorial annotations by Nicholson.

Former English Professor at Duke University, and Vice-Provost for Interdisciplinary Affairs. Author of fiction and memoirs, and editor of The Book of Love and Oxford Companion to Women's Writing in the United States. The Cathy Davidson Papers encompass Davidson's various writings, organizational work, correspondence, and materials related to Fred Hampton.

Theater chain in the United States; Loew's Poli Theater (later Loew's Palace) was located in Bridgeport, Conn. Consists of 41 gelatin silver prints depicting storefront promotion of Cat on a Hot Tin Roof. Many scenes show Bridgeport retail stores displaying images of Life Magazine cover photograph of Elizabeth Taylor, star in the film. Also depicted are Loew's theater signs advertising the film. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Professional organization founded in 2002 by David Hessekiel to promote business-nonprofit collaboration and corporate sponsorship of social service campaigns. Halo Awards were established in 2003 to celebrate notable cause marketing campaigns.le endeavors by businesses.

Caviness Hector Brown was a law student at Trinity College from 1919 to 1921. The scrapbook includes autograph pages, photographs, clippings and memorabilia related to Trinity College arts and athletic events, the Debating Club and North Carolina state elections.

CBS is an American commercial broadcast television and radio network that grew out of a Chicago-based radio network in the late 1920s. Collection consists of 8 reports produced by CBS in the late 1930s addressing trends in radio broadcasting and advertising. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Dr. C.C. Adams (1884-1976) was a Black minister and active member of the National Baptist Convention, serving as secretary of the Convention's Foreign Mission Board from 1941 into the 1960s. Collection consists of correspondence and accompanying items Adams received as secretary of the Foreign Mission Board, mostly from members of the Pilgrim Baptist Mission in Issele-Uku, Nigeria. This correspondence documents the Foreign Mission Board's support of Pilgrim Baptist Mission's financial requests, expenditures, and growth. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Clement Claiborne Clay (1816-1882) was a lawyer, U. S. Senator, Confederate diplomat, planter, and enslaver from Huntsville, Madison County, Alabama. He was married to Virginia Carolina (Tunstall) Clay (1825-1915). His father, Clement Comer Clay (1789-1866) was a U.S. Congressman and Governor of Alabama. Collection includes personal, business, and political correspondence, bills of sale for enslaved people, accounts, diaries, memoranda, college notes, scrapbooks, and clippings of Clement Claiborne Clay, and of his father, Clement Comer Clay; his mother, Susanna Claiborne Withers Clay; his wife, Virginia Caroline Tunstall Clay; and brothers, Hugh Lawson Clay and John Withers Clay. Letters deal with family matters, including Alabama and Washington, D.C., social life, education, the management of cotton plantations, bills of sale for and correspondence regarding enslaved people, civic affairs in Huntsville; state and national politics and elections; Clay Sr.'s governorship; Clay Jr.'s service in both the U.S. and Confederate senates; ante-bellum politics; the organization of the Confederacy; Reconstruction politics, including Clay Jr.'s arrest, imprisonment, and his wife's efforts to obtain his release; Clay Jr.'s efforts to retrieve his property and re-establish farming operations, and to settle his father's estate; Virginia Clay's dissatisfaction with Reconstruction period social life, her tour of Europe, 1884-1885, and her efforts to operate the plantation after her husband's death.

President of North Carolina Mutual Life Insurance Company, 1923-1952. NC Mutual is the oldest currently active African American-owned insurance company in the United States, founded in 1898 and headquartered in Durham, North Carolina. The collection contains photographs, miscellaneous business papers, programs, speeches, clippings related to C. C. Spaulding, black civil rights, and to African American life more generally, in addition to administrative materials and various publications created by and related to North Carolina Mutual Life Insurance Company. These papers document the growth of North Carolina Mutual Life Insurance Company in the mid-twentieth century, Spaulding's and the company's connection to the community, and their involvement in African American issues (local and beyond) and livelihood. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

ALS. Hackett writes to Leonard J. Goldwater on mercury. Papers include carbon copies of Goldwater's typed letters, unsigned.

The photographs of Cedric N. Chatterley span the years 1983-2013, and were created throughout his career as a documentary photographer, beginning with his MFA thesis project on religious experience in the U.S. The photographs are primarily black-and-white prints ranging in size from 8x10 to 18x24 inches. The most prominent themes in Chatterley's work are labor, community, and religious expression. He has photographed chicken slaughterhouse workers in Maine; Cambodian immigrants in North Carolina; David "Honeyboy" Edwards and other Southern blues musicians in Mississippi and on tour; a substance abusers' rehabilitation community in Durham, N.C.; tornado survivors in South Dakota; an abandoned religious theme park in Connecticut; and sheep rancher Judith Fae "Pachy" Burns in Montana. Some of his documentary work also includes oral history interviews. There are also several recordings of interviews with Chatterley, where he speaks about his work as a documentary photographer, and a book by Barbara Lau containing his photographs of Cambodian immigrants. Acquired as part of the Archive of Documentary Arts at Duke University.

In 1979, Duke University held a series of events celebrating the life of Benjamin Newton Duke. The collection includes clippings, invitations, scrapbooks, and an audio recording.

Collection consists of photography created by Celeste and Reggie Hodges while living in Sembehu and Shenge, Sierra Leone, as Peace Corps volunteers in the 1960s and 1970s. Formats include negatives, prints, slides, and digital scans; all image titles and subjects have been applied by the Hodges. Images depict village life, social and religious customs, agriculture and fishing practices, medical care and treatment, textiles and art, schooling and children's life, and portraits of people. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Celeste Wesson is a radio producer and Duke University graduate. These papers document her work with the Women's Radio Collective of WDBS, Duke's campus radio station.

2 letters (ALS) relating to Blumenthal's efforts to address allegations by a group of women that she is a Prussian. Includes transcription and translation of both letters.

Collection contains the original returns compiled by the census enumerator. Schedules exist in four main categories: agriculture, manufacturing, "defective, dependent, and delinquent classes," and social statistics. The 7th (1850); 8th (1860); 9th (1870); and 10th (1880) censuses are included, while the states covered are Colorado, District of Columbia, Georgia, Kentucky, Louisiana, Tennessee, and Virginia, with scattered records for Montana, Nevada, and Wyoming. In many cases the returns are not complete. For a given schedule all counties of a state may not be represented.

The Center for Canadian Studies was established as an independent center devoted to the study of Canada in 1973. The collection includes reports, newsletters, clippings, announcements, conference programs, occasional papers, memoranda, brochures, slides, curricula, and other materials. Materials range in date from 1971-1993.

The Center for Death Penalty Litigation is a non-profit law firm that represents inmates on North Carolina's death row. Its work often involves the investigation of racism and the judicial process, and the treatment of people with mental disabilities charged with crimes in North Carolina. Collection contains Center for Death Penalty Litigation case files dating from 1953-2020 for seventeen inmates on North Carolina's death row during the same period: Robert Bacon Jr., David Junior Brown, Frederick Camacho, Willie Ervin Fisher, George Earl Goode Jr., Harvey Lee Green Jr., Zane Hill, David Earl Huffstetler, Joseph Timothy Keel (the largest case file at 26 boxes), Gary Wayne Long, James Lewis Martin Jr., Elton Ozell McLaughlin, Phillip Thomas Robbins Jr., Steve Van McHone, Jimmy McNeill, Clinton Cebert Smith, and Norris Carlton Taylor, as well as limited files on other inmates. Case files typically include transcripts, affidavits, attorney notes, clemency requests, petitions, pleadings, photographs, correspondence, motions, Department of Corrections documents, Resource Center files, investigative files, audiovisual materials, and some electronic records.

Duke University's Center for Documentary Studies awarded a CDS Documentary Essay Prize annually between 2013-2020. This collection contains the 5 photography prints from Nastassia Kantorowicz Torres' project "Point d'eau," which won the prize in 2018.

The Center for Documentary Studies was established at Duke University in Durham, N.C. for the study of the documentary process. The collection contains 51 black-and-white and color photographs, chiefly 11x14 and 16x20 inches, that were selected by CDS staff from portfolios published in DoubleTake magazine or by DoubleTake books from 1995 to 1997, and were exhibited at the CDS galleries. Many of the images were taken in the southern United States, but there are also scenes from California, Illinois, Massachusetts, and Pennsylvania, and from countries such as Mexico, Vietnam and Ireland. Some images are dated as early as 1906 and 1940. Acquired as part of the Archive of Documentary Arts at Duke University.

The Neighborhoods Project was created as part of the Community Programs department within Duke's Center for Documentary Studies. According to the CDS website, it offered North Carolina elementary school teachers an innovative and effective way to meet social studies goals outlined in the state's standard course of study. The project provided a way to engage students in their own communities, focusing on their individual lives and stories through photographs, narrative writing, and storytelling. It provided a series of experiential learning activities that encouraged the use of photography, oral history, and narrative writing in an exploration of community and citizenship. Collection includes black-and-white photographs, negatives, and slides from projects created by students at Durham's E.K. Powe and W.G. Pearson elementary schools between 1997 and 2004. The images document the social life and the built environment in Durham, N.C., in city neighborhoods where the students live; they feature children, pets, houses and places of business, groups of adults, and other neighborhood scenes where whites, African Americans, and Spanish-seeking citizens live. Some materials are in Spanish. Also includes some student booklets and publications highlighting their projects as part of the program. Acquired as part of the Archive for Documentary Arts.

The Center for Documentary Studies opened in January 1990 and is an outgrowth of and replacement for the Center for Documentary Photography (1980-1990). The Center combines traditions of documentary photography and film, writing, oral history, and scholarly analysis in seeking to capture life experiences. Collection contains publications, calendars, announcement, brochures, newspaper and magazine clippings, a videocassette, and other materials such as administrative files and electronic files. The materials date from 1990 and the collection is ongoing.

Digital videos, photographs, and transcripts documenting critical oral history conferences in 2016 and 2018, with Student Non-violent Coordinating Committee veterans, hosted by the Center for Documentary Studies at Duke University. The 2016 Critical Oral Histories Conference focused on "The Emergence of Black Power, 1964-1967," while the 2018 Critical Oral Histories Conference focused on the efforts directly leading to the Voting Rights Act of 1965.

The Center for Documentary Studies at Duke University teaches, engages in, and presents documentary work grounded in collaborative partnerships and extended fieldwork that uses photography, film/video, audio, and narrative writing to capture and convey contemporary memory, life, and culture. The collection includes work created by students enrolled in documentary studies courses at Duke University in Durham, North Carolina, and the University of North Carolina at Chapel Hill (UNC), sponsored by the Center for Documentary Studies at Duke. Acquired as part of the Archive of Documentary Arts at Duke University.

Non-profit organization founded in 1975, based in Washington, DC, whose chief focus is promoting changes in U.S. foreign and military policy in support of global human rights. The records of the Center for International Policy (CIP) span the years 1960 to 2016, and document in detail the organization's global activities in support of human rights as well as its internal administration, funding, and public relations outreach. CIP's chief areas of interest lie in United States foreign and military policies, including the activities of the Central Intelligence Agency (CIA). Topics include human rights issues, U.S. relations with Central and South America, demilitarization, nuclear weapons, the Cuban trade embargo, money laundering and other aspects of international finance, terrorism, and the narcotics trade. The bulk of the files take the form of administrative files and records which contain correspondence, memos, data, reports, travel documents, and extensive files on other organizations; there are also many files of printed materials such as pamphlets, newsletters, and press releases.

Founded in 1998, the Center for Justice and Accountability (CJA) is a non-profit organization that primarily utilizes civil litigation against perpetrators of international human rights abuses. The CJA records span the dates 1945-2015, with most materials dating from 1972-2015, and consist of extensive case files, amicus briefs, research materials, a small amount of press clippings, CJA newsletters and annual reports, and audiovisual materials and electronic records related to cases or to research. Attorneys who frequently appear in case file materials include: Matthew Eisenbrandt, Shawn Roberts, and Joshua Sondheimer. Acquired as part of the Human Rights Archive at Duke University.

Contains the records of the Center for Medieval and Renaissance Studies, an interdisciplinary degree-granting program for scholars at Duke University. The Center for Medieval and Renaissance Studies was established around 1968 in an effort to join and strengthen the medieval and renaissance programs at Duke University. Also includes materials of the Committee on Medieval and Renaissance Studies concerning the development of the program, the Journal of Medieval and Renaissance Studies, and the Southeastern Institute of Medieval and Renaissance Studies. Types of materials include correspondence, budgets, newsletters, curriculum planning materials, announcements, reports, and minutes. Major subjects include the Duke University faculty, Journal of Medieval and Renaissance Studies, the Southeastern Institute of Medieval and Renaissance Studies, Center for Medieval and Renaissance Studies, university cooperation, renaissance study and teaching, and humanities study and teaching. Materials range in date from 1966 to 1982. English.

The Center for Multicultural Affairs began as the Office of Black Affairs in 1969 to address the needs of the African American student population at Duke University. As the Center for Multicultural Affairs, the department's mission is to foster a welcoming environment, support all students in becoming engaged members of the Duke community, and to promote community engagement. The collection contains a variety of administrative materials, including reports, correspondence, minutes and programs, documenting the directives and activities of the Office of Black Affairs, the Office of Minority Affairs, the Office of Intercultural Affairs, and the Center for Multicultural Affairs. Also included are materials pertaining to the Summer Transitional Program, which was established in 1969 and managed by the Office of Minority Affairs.

The Center for Sexual and Gender Diversity, originally the University Center for Lesbian, Gay, and Bisexual Life, was founded in October 1994. The CSGD works to create an environment of inclusivity, support, and advocacy for the Duke LGBTQ community. The collection contains records related to the establishment of the Center, records for the LGBT Task Force, materials related to policies on same sex unions at Duke Chapel and harassment, strategic plans, reports, subject files, and events planning materials.

The Center for Southern Studies in the Social Sciences and the Humanities was an interdisciplinary center established in 1965 in order to help "organize and systematize existing scholarly interest" in Southern Studies at Duke and elsewhere. Past chairs include Edgar T. Thompson and Thomas H. Naylor. The Center folded in the late 1970s. Collection contains materials pertaining to operation and activities of the Center for Southern Studies in the Social Studies and the Humanities including correspondence, minutes, manuscripts, printed matter, clippings, and other materials. Materials range in date from 1961-1969, with the bulk dates of 1965-1967.

The Center for Women Policy Studies was founded in 1972 as the nation’s first feminist policy analysis, research and advocacy institution. Collection documents the day-to-day operation, programs, and mission of the Center for Women's Policy Studies. The records include subject files, research files, publication materials, lectures, project documentation, program files, surveys, survey data and chronological files accumulated by the organization. Topics include women and AIDS, girls, teenage girls, work/life balance, women and violence, women and leadership, women and bio ethics and reproductive rights. The collection includes audio cassettes and VHS tapes, and patrons must request use copies to access the content of these materials. Acquired by the Sallie Bingham Center for Women's History and Culture.

The Central American Solidarity Committee (CASC) was a student organization chartered at Duke University around 1980. CASC was organized in opposition to U.S. policies and activities regarding Central America, especially military aid to Nicaragua, during the early 1980s. The majority of the records are made up of clippings and event flyers and posters, but the records also include correspondence, publications, petitions, bumper stickers, and other materials produced or collected by the Central American Solidarity Committee. The collection also features materials published and distributed by similar groups, such as the Carolina Interfaith Task Force on Central America, the Durham Action Committee on Central America, and the Committee in Solidarity with the People of El Salvador, Southeast Region. English.

Printed form in German language for proof of smallpox vaccination, filled out in manuscript hand with the name of the patient, a P[?] Maurer, 49 years of age, and the date of vaccination, August 12, 1872, and the date when the vaccination was declared successful and the certificate signed by the physician, a Professor Zelinder, August 20, 1872. The entry for the location may be Balaton, Hungary. In 1872 there was a very severe smallpox outbreak in England; in 1874, a compulsory vaccination law went into effect in Germany. The certificate bears a decorative border and a small shield. Acquired as part of the History of Medicine Collections at Duke University.

16 ALS, 12 autograph postcards, signed.

Manufacturer of private aircraft founded in 1911 in Wichita, Kan., Collection comprises handouts of the aircraft sales training presentation that used an analogy to a football game to organize the information. Includes pages for the attendee's notes, as well as charts, graphs, financial information, and quizzes. Divided into sections: prospecting, consultant, interviewing, salesmanship, proposals, demonstrating, and scoring.

The Chamber Arts Society was created in 1945 and is dedicated to the performance of classical music by small chamber ensembles. This collection includes programs for many performances from 1990-2016.