Editor of the "New Republic" and "Scientific American." Collection contains notebooks, correspondence, a large variety of writings, a diary, and some clippings. The correspondence largely involves his duties as editor but includes personal matters as well. Writings include entry lists for the HARPER ENCYCLOPEDIA OF SCIENCE, essays, typescripts, articles for THE WORLD OF MATHEMATICS, book drafts, manuscript of GÖDEL’S PROOF, and other scientific writings. There are a large number of book reviews and articles, including some on atomic energy. Two manuscripts were written by his wife, Ruth (Gallert) Newman and there is a term paper by his daughter.(93-187) The addition (8 volumes) contains notebooks that appear to hold notes from college courses. They include a transcribed lecture by Justice Felix Frankfurter. (00-265) The 3 volume addition comprises spiral-bound volumes of photocopied author catalog cards for items in this collection. (00-409)
Educator, insurance agent, and civic leader, of Durham, N.C. Family, business, and personal correspondence (chiefly after 1851) of Southgate and of his family. The material concerns Southgate’s insurance business, life in North Carolina, the establishment of Durham, N.C., and of Duke University; the Southgate family in the Civil War, Reconstruction in North Carolina, education and civil activities in North Carolina, South Carolina, and Virginia, and schools in Durham; and the activities and genealogy of the Southgate family. Correspondents and persons mentioned include Mattie Logan Southgate Jones, Delia Haywood Wynne Southgate, James Haywood Southgate, and Myra Ann Muse Southgate.
Contains personal and professional papers relating to the life and work of James Tough Cleland, preacher, Dean of the Duke University Chapel (1955-1973), and Professor of Preaching in the Divinity School (1945-1968). Materials include addresses, sermons, lecture notes, speeches, clippings, printed materials, correspondence, a tape recording, committee records, course materials, photographs, subject files, a scrapbook, diaries, and gift albums. Albums include sketches, engravings, frontispieces, and colored illustrations from printed materials. Major subjects include armed forces chaplains, hospital chaplains, death and dying, euthanasia, spirituality, Christianity, the study and teaching of the book of Paul, the study and teaching of the Bible, study and teaching of preaching, Duke University Chapel, Duke University, and the Divinity School. Materials range in date from 1825 to 1982 (bulk 1928-1975). Contains restricted materials. English.
This collection contains business and personal correspondence, orders, price bulletins, and other papers, relating to the tobacco business of James Thomas, the tobacco industry in general, and the economic life of Virginia (1850s). Includes information on Thomas' assistance to the Virginia Baptist Seminary (now the University of Richmond). Correspondents and persons mentioned include J. L. M. Curry, George Frederick Holmes, and Basil Manly.
James T. Powers was a well-known comic actor, songwriter, playwright, and vaudeville entertainer based in New York City. The materials in the collection cover the entirety of his career, from the 1880s to the 1930s, when he retired. There are also items relating to the acting career and family of his wife, Rachel Booth Powers. The materials are arranged into the following series: Correspondence, Financial and Legal Papers, Photographs and Other Images, Print Materials, Rachel Booth Powers Papers, Sheet Music, Volumes, and Other Writings. The collection contains over 260 images, including tintypes, several lithographs, gelatin silver photographs, and albumen prints, dating from approximately 1860 to the early 1940s. The rest of the collection includes scrapbooks, autograph albums, a diary by Rachel Booth Powers, many clippings, drafts of scripts and reminiscences, sheet music, notebooks, and other professional papers. Taken as a whole, the collection provides a rich look at the society and culture of vaudeville theater in New York City during Rachel and James T. Powers' careers.
Educator, gay rights activist, and author of many works on sexuality, identity, and sex education, and the history of homosexuality and the gay rights movement in the United States. The James T. Sears Papers span the dates 1918-2011, with the bulk of the material covering the period between 1950 and 2004. The papers are arranged into the following series: Audiovisual Material; Other Activities; Personal Papers; Photographic Material; Professional Papers; the largest series, Research and Writings; Jack Nichols Papers; and Oversize Material. The Research and Writings series is divided into subseries for major works by Sears, as well as subseries for other writings and editorial work, research files, and a small set of writings by other individuals. Formats include but are not limited to correspondence, research files, writings, interviews, recordings, serials and newspapers, photographs, and diaries. The collection also houses the personal papers of Hal Call (1917-2000) and Jack Nichols (1938-2005), both early activists for gay rights. Taken as a whole, the collection offers a deep and rich source of information on gay, lesbian, and bisexual culture in the United States, especially in the South, and its representation in literature and in the press, both positive and negative; the history of the gay rights movement in the U.S. and abroad, including the evolution of organizations such as the Mattachine Society and related gay movement publications; sexuality studies in the U.S. and teaching sexuality in primary and secondary classrooms; gays in the military; drag queen, lesbian, and bisexual communities; and many other topics relevant to sexual identity in society.
The Williams Papers span the period 1836 to 1947 with the bulk dating from 1904 to 1942. The collection contains the following series: Diaries and Reminiscences; Correspondence; Subject Files; Legal Papers; Financial Papers; Writings and Speeches; Miscellaneous; Clippings; Printed Material; and Pictures. Correspondence comprises the majority of the collection and particularly focuses on Williams's professional career during the period from 1910 to 1925 when he was editor of the Tucson Citizen and the Boston Evening Transcript. While the collection documents aspects of Williams's personal and professional life from his college days through the early 1940s, the last twenty years of his life are not included. There is as well very little information about the Teapot Dome Affair in the correspondence, which occurred during the period covered by the collection.
Collection comprises 42 photographs taken by James Van Der Zee, known for his portraits and documentation of daily life in Harlem, N.Y., especially during the Harlem Renaissance (1920s-1930s). There are views of parades, athletic teams, a Baptist group, a first-grade Harlem classroom, and the interior of Van Der Zee's studio, as well as fictionalized settings and poses conveying hopes, dreams, and humorous situations. Subjects include an elegant couple in raccoon coats, a soldier, a female impersonator, a funerary portrait of a man in an open casket, Black Hebrews, Black Cross nurses, Marcus Garvey in regalia during a parade, entrepreneurs Madam C.J. Walker and her daughter A'Lelia, boxer Jack Johnson, and entertainer Bill "Bojangles" Robinson. Included is a self-portrait of the photographer playing a violin, circa 1930. An early portrait of Van Der Zee's first wife and daughter was taken around 1908, in Lenox, Massachusetts, his birthplace. Average print size is roughly 10 3/4 x 12 inches. Almost all are exhibit prints created mostly in the 1980s from original negatives. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture at Duke University.
James W. Anderson (1931-2019) was a professor of public relations at the University of Florida's College of Journalism and Communications. Collection includes manuals on corporate identity, graphic design, image management, and public relations policies and standards; audiocassettes; printed materials on issues in public relations, corporate image and trademarks; course materials; correspondence; slides and scripts of student presentations. Companies represented include Atlantic Richfield; Coca-Cola; CONOCO; Eaton; FMC Fiber; Goldsholl Associates; Jim Walter; Mobil; NBC; Nestlé; Rockwell; and Sherwin-Williams. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
Collection comprises five 4x5 inch matted black-and-white palladium contact prints, featuring abandoned or run-down manmade structures in the natural landscape. Locations include the Southwest (Texas, New Mexico, and Arizona) and the Olympic Pensinsula. Acquired as part of the Archive of Documentary Arts at Duke University.
92 ms. leaves of Simpson's notes on obstetrics, H.A. Kelly's description of contents of notes, 6 items printed material, 4 ALS from Simpson, a holograph poem, a signed calling card, and ms notes on Simpson in Kelly's hand. In his letters, Simpson writes of acupressure, animal magnetism, smallpox, scarlet fever, classical education, the importance of physical exercise and electoral politics. Printed material relates to members of the Simpson family, including Alexander Russell Simpson and Margaret Stewart Barbour. In his notes, Simpson writes of diseases of the placenta and the fetus, of pregnancies, abortions and premature labor, and of the use of collyria in the treatment of eye diseases.3 ALS. Only named correspondent is a Mr. Hutchison. Letters reflect Simpson's wide range of interests. He urges measures to stamp out' smallpox and scarlet fever; refers correspondent to Mr. Farrar's lecture on classical education, presented at the Royal Institution; stresses the importance of physical exercise for the student, Miss Campbell of St. Margaret's College; and discusses the electoral prospects of a Liberal candidate, Mr. Pender.
The Jane Clarke-Owen Papers consist primarily of Dr. Clarke-Owen's letters to her two daughters and other family members, and letters from each daughter to Dr. Clarke-Owen and other individuals. The bulk of the letters were written between 1886 and 1919 and document the domestic lives, financial difficulties, and relationships of the women in the Clarke family. The letters written by Dr. Clarke-Owen document her years as a medical student in Chicago, her struggles in the medical profession, and her domestic life. Therese Clarke's correspondence chronicles her life as a working actress in the early 20th century and her domestic life. The Laura Clarke letters are primarily concerned with domestic and financial matters and her prospects as a sales clerk for various shops and department stores on the east coast. Miscellaneous correspondence includes letters from family members and friends to all three women, and a small selection of the business correspondence of Thaddeus "Tom" Clarke. The collection also includes clippings and programs of the performances of Marguerite Urquhart, the stage name employed by Therese Clarke, and a photograph of Jane Clark-Owen from 1870. Miscellaneous papers in the collection include undated and unaddressed cards, notes, and letters.
Jane Kilbourne was a journalist, editor and public relations executive primarily with Pan American airlines, based in New York. Collection includes correspondence, clippings, photographs, scrapbooks and published articles that document Kilbourne's career with Pan Am as a public relations executive and publications editor specializing in women's issues and interests regarding travel, food and fashion design. Collection also documents international fashion shows sponsored by Pan Am and attended by Kilbourne. Companies represented in the collection include Estee Lauder and the International Air Transport Association (IATA). Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
The Jane L. Berdes Collection (1525-1993) has as its focal points the four Venetian welfare institutions known as the Ospedali Grandi and their role as providers of musical training for girls and women. The inclusive dates for the collection begin with the dates of primary materials Berdes collected and extend through her lifetime. The collection consists primarily of Berdes's research notes and materials on the Ospedali Grandi, and photocopies or microfilms of primary sources, including musical scores in manuscript and printed editions. It also contains correspondence, photographs, recordings and printed materials. Berdes identified the maestri of the Ospedali Grandi, the music performed, and the names of over 800 women who were members of the cori , but relatively little is known about them individually with the exception of Maddalena Lombardini Sirmen. In addition, the collection features general materials pertaining to other women in music throughout history. The user is advised that some photocopies are unattributed and, where Berdes did not indicate composer or author, no attempt has been made to provide one. The archive contains very few of Berdes's personal papers.
Jane Morley was a Trinity College of Arts and Sciences undergraduate at Duke University from 1972-1976. She graduated with an A. B. degree in 1976. The material, her notes and papers from coursework, covers four subjects: Upton Sinclair, Brenda Frazier, household workers and the Duke Vigil and ranges in date from 1974-1975.
Jane Stricklen (1927-) was an advertising executive and commercial artist based in Baltimore, Maryland, who served as Art Director for the VanSant Dugdale agency during the 1960s. The collection includes Soviet-era packaging, brochures, artifacts and memorabilia, along with materials and press coverage from the exhibition of these items curated by Stricklen at VanSant Dugdale. Materials include cigarette packages from Laika, Bogatyri, Pamir, Olen, Kazbek, and Drug brands; boxes and wrapping from Layla perfume and Detskii mir children's retailer (a subsidiary of AFK Sistema) Department Store; product brochures for the Berezka gift shop chain; and food and beverage brands, including Borjomi, Badamli, Mirgorodskaia, Sovetskoe shampanskoe, Zhigulevskoe, Moskovskoe, Donskoe, Krupskaya chocolates, and Chess. There are also materials relating to entertainment as well as literature for Rostsel'mash machinery; and travel materials from Intourist and Aeroflot. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
Jan Hayes (later Jan Hayes-Steinert) was an inventor and designer who developed and marketed products for the cosmetics industry in New York City. This collection contains Hayes's cosmetic product designs, corporate and industry marketing campaign drafts, patent and trademark correspondence, and other promotional and advertising material for an assortment of products. The collection documents some of Hayes's work for companies such as Kurlash, Revlon, Lilly Dache, and Juliette Marglen.
Janie Long was Vice Provost for Undergraduate Education at Duke and the former Director of the Center for Sexual and Gender Diversity. This collection documents the professional and administrative activities of Janie Long, including the development of the Duke Center for LGBT life, programs and resources for the Center for Sexual & Gender Diversity (CSGD), CSGD Student Groups including Athlete Ally and Duke's student body LGBT history.
Jantzen Knitting Mills was a textile clothing company founded in 1910 in Portland, Ore. Collection consists of a booklet of sketches and copy text suggestions for development of retail store advertisements for Jantzen's product line of women's foundation garments. A laid-in poster and order form are included. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
Collection comprises postcards, posters, and ephemera related to the Japanese military, as well as propaganda, and patriotism in the country between 1910 and World War II. Includes a postcard with patriotic children (1910's), postcards relating to the 1933 Army anti-air raid drill in the Kanto region, a New Year's greeting card celebrating the Nagoya Pan-Peace Exposition from 1937, and an advertisement for Sin-Japanese war bonds. Items dating from the 1930s include a postcard encouraging the public to save for the war effort, a life insurance flyer, an advertising packet for a conscription insurance policy, a 1936 brochure issued by the South Manchuria Railway of the Fushun Colliery, and a drug advertising propoganda leaflet showing the battlefield and home front. Material related to World War II includes a bank account passbook, a postcard from Italy that glorifies Japan, postcards with songs from a cavalry division and the 16th Infantry division, a confectionery wrapper, a wrapper for a whiskey bottle, an anti-communist print, a brochure for the Dong Bain Dao Development Company in Manchuria, and 44 propaganda posters. Several of the postcards were used and contain messages.
Collection comprises 400 Japanese matchbox labels, each approximately 3.5 x 5.5 cm., mounted ten to a page in a contemporary paper album and housed in a custom-made cloth box. The collector of the material is not identified.
The sixty-three manuscript volumes in this collection range from 10 to 154 pages, and were created in Japan from about 1810 to 1849, chiefly by medical students. The notebooks usually take one of two forms: transcriptions of lectures and demonstrations, and bodies of knowledge written up as manuals by well-known Japanese physicians of the time, especially Hanaoka Seishū and Takenaka Bunpō. Topics covered include herbal medicines and other prescriptions; treatments for diseases of the eyes and other parts of the head; surgery, particularly for cancers, tumors, and fistulas; breast cancer; smallpox; scurvy; osteopathy; treatment of wounds; suturing; hematology; gynecology and obstetrics; and pediatric medicine. Some notebooks contain black-and-white and color hand-drawn illustrations - many full-page - of surgeries, close-ups of suturing, bandages and wrappings, osteopathic manipulations, and medicinal plants. In most cases, the author or copyist recorded details such the place and time of the lecture and the name of the medical school. There are references in the notes to at least a dozen other contemporary or earlier physicians, and to earlier dates for the work being copied - these range from 1677 to 1796. Acquired as part of the History of Medicine Collections at Duke University.
Consists of three scrapbooks containing labels for primarily beverages produced in Japan or imported for Japanese consumption. Alcoholic and non-alcoholic beverages are represented, including flavored mineral water, flavoring syrups, cider, shochu, sake, gin, cognac, and port and other wines. Imported products originated in the United States, Spain, Portugal and France. Companies represented include Asahi, Showa, Hoyoku and Good Drink. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
Jared Potter Kirtland was a naturalist, malacologist, and politician most active in the U.S. state of Ohio. Collection comprises an undated letter fragment by Jared Potter Kirtland concerning subscription fulfillment for books and periodicals, as well as his travel plans as a delegate for Columbus, Ohio. There is also an etching of Kirtland.
Jaroslav Hulka (1930-2014) was a physician and teacher at the University of North Carolina at Chapel Hill and long-time supporter of women's reproductive rights. The collection consists largely of professional papers including subject and research files, correspondence, and writings. Materials pertain to Hulka's involvement in the education, promotion, innovation, and application of women's and reproductive health. Specific topics include laparoscopy, abortion rights, contraception, professional organizations, medical procedures, and educational materials.
Collection contains chiefly correspondence relating to the Clingman, Jarratt, Poindexter, and Puryear families, early settlers of Surry County, N.C., together with a genealogical table. Subjects include the slave trade between North Carolina and Alabama, 1830-1835; North Carolina during the Civil War and Reconstruction, conditions at the University of North Carolina at Chapel Hill prior to the war, plantation accounts, the distillation and sale of whiskey, and business affairs. Correspondents include William James Bingham, John Adams Gilmer, and Zebulon Vance.
Jarvis House, named for former North Carolina Governor Thomas J. Jarvis, was built of white pressed brick and Indiana sandstone and roofed with green tile. It was completed and occupied in October 1912. The collection contains the records of Jarvis House, a residence hall for undergraduate female students at Duke University.
Titled "After Eisenhower" in reference to the outgoing President's speech about military power, this body of work by photographer Jasmine Clark consists of 36 16x20 inch color inkjet photographs of signs, symbols, slogans, and advertising that permeate the streets and outdoor spaces of military-based towns. The images convey complex themes of patriotism, Christianity, masculinity and feminity, and other iconographic expressions of "Middle America" culture. Acquired by the Archive of Documentary Arts at Duke University.
Jay Broadus Hubbell was a professor of American literature at Duke University. The Jay B. Hubbell Papers span the years from 1816 to 1998, with the bulk of the material documenting Hubbell's career from his early student years in the 1920s until his death in 1979. The collection consists mainly of his professional papers, including correspondence with colleagues and literary figures, articles written by others at his request for the Jay B. Hubbell Center, printed materials inscribed to him and written by him, and unpublished manuscripts. The material chronicles the four decades of Hubbell's career as professor and critic, which he dedicated to the growth and development of American literature as a field of critical inquiry. Among the many significant correspondents or subjects of others' writings are Conrad Aiken, Gay Wilson Allen, Robert Frost, Clarence Gohdes, members of the Hubbell family, Ralph Leslie Rusk, Carl Sandburg, Allen Tate, Arlin Turner, and John Hall Wheelock. Other significant topics covered by the material include the founding of the Jay B. Hubbell Center for American Literary Historiography at Duke University, the study and teaching of literature from the American South, the activities of the faculty at Duke University, and the development of the American Literature Section of the Modern Language Association (MLA).
Jay C. Anderson (1956-2013) was the photographer for the American Dance Festival from 1978 to 1994. This collection contains documents, slides, negatives, and prints pertaining to ADF performances and student classes during Jay Anderson's tenure as photographer for the American Dance Festival.
Jay Carl Anderson was a Duke University student from 1974 to 1978 and freelance photographer who photographed Duke scenes and athletic events as well as politicians and scenes around Durham and North Carolina. He also served as the editor of the 1978 Chanticleer (Duke University's yearbook). The Jay Carl Anderson Photographs and Papers include images of Anderson's time at Duke, particularly images of East and West campus, athletic events (particularly Duke men's basketball), and Duke students. The collection also includes images of United States Presidents and Presidential Campaigns (particularly Jimmy Carter and the 1976 Democratic National Convention), as well as scenes around Durham, and locations inside and outside of North Carolina.
Broadcast journalist, businessman, and resident of Palm Beach (Palm Beach Co.), Fla. These papers are comprised primarily of correspondence, clippings, essays, and articles related to the subjects Rutherfurd covered during his career as a broadcast journalist. Topics reflect his interest in diplomacy, journalism, and U.S. foreign relations since 1961. Much of the material documents the career of Angier Biddle Duke, a Rutherfurd family friend who served in the diplomatic corps during the Kennedy and Johnson administrations. Other material reflects the instrumental role Rutherfurd played in the creation of Duke University's Living History Program. The collection also contains more than 53 audiocassettes, two videocassettes, scripts, and filmed interviews (late 1960s to 1980s) with prominent individuals, as well as recordings of TV news segments and radio shows.
Collection contains 45 color and black-and-white photographs from Jay Turner Frey Seawell's projects "National Trust" and "The Mall." The two series document Washington, D.C. from 2011-2015. The series "National Trust" "explores the careful manufacturing of appearances in relation to power, politics, and media in the United States." "The Mall" is Seawell's response to "the mainstream narrative of American history that dots the landscape" of Washington, D.C. Seawell is a photographer based in Washington, D.C. Seawell was the winner of the 2016 ADA Award for Innovation in the Documentary Arts.
The Jazz and Big Band Reference Collection contains clippings, promotional material, records, correspondence, and other material about the history of jazz at Duke University. Topics include information on Duke's various student jazz ensembles and big bands, visiting musicians who performed at Duke, the Mary Lou Williams Jazz Festival, the North Carolina International Jazz Festival, and the Thelonious Monk Institute of Jazz. This collection was compiled from a variety of sources by the University Archives for use in reference and research.
The Jazz Loft Project Records consist of the research and administrative records of author Sam Stephenson's Jazz Loft Project, which documented the events and inhabitants -- including W. Eugene Smith, Hall Overton, and David X. Young -- of 821 6th Avenue, New York City, in the late 1950s and early 1960s. The records include the tapes of an extensive oral history project conducted by Stephenson from 1998 to 2010, general research and administrative notes, logs describing the content of the audio recordings W. Eugene Smith made at the loft, and original audio recordings of Hall Overton's compositions.
Jazz @ was initially created in 2003 as a weekly jam session at the Mary Lou Williams Center for Black Culture, and it is now run by a committee of students as part of the Duke University Union's (DUU's) weekly jazz programming committee. The records include: emails; sign-up lists; event and meeting information; flyers; playlists; and financial and administrative materials.The records represented in the collection are from 2017-2018, when Duke student Philip Moss served as president of the Jazz @ committee. Some of the events covered in the collection include: Jazz @ The Coffeehouse; Jazz Brunch; and Latin Jazz Night.
J. Benjamin Smith was Duke Choral Director from 1968-1988. The collection includes clippings, black and white group photographs, correspondence, sheet music notebooks, "Fontainebleau Alumni Bulletin," and Smith's conductor's baton. The collection ranges in date from 1965-1988.
Businessman, philanthropist, and chairman of The Fuqua Companies and Fuqua Enterprises. The J.B. Fuqua Papers span the years 1929-2006. The collection is separated into two divisions according to place of origin: Fuqua's business office and his home office. The office files document Fuqua Industries and The Fuqua School of Business at Duke University, and include annual reports, reading files and general business papers, as well as clippings, periodicals, and copies of articles about J. B. Fuqua and his businesses. The home office files primarily document Fuqua's early career and contain files for the various businesses he acquired. A large component of video cassette recordings chiefly contain speeches and programs related to Fuqua and the Duke University Fuqua School of Business.
J. B. Matthews (1894-1966) was a Methodist missionary, college professor, author, lecturer, and prominent conservative spokesman. Collection consists of correspondence, memoranda, statements, speeches, reprints, clippings, broadsides, newsletters, press releases, petitions, and other printed material, chiefly 1930-1969. The principal focus of the collection relates to the work and research of Matthews and his associates in the area of anti-communism, particularly in connection with Matthews' role as Director of Research for the Special Committee on Un-American Activities of the U.S. House of Representatives (1938-1945), Executive Director of the Permanent Subcommittee on Government Operations of the U.S. Senate (1953), and a consultant for John A. Clements Associates. Many of the organizations, newspapers, periodicals, and persons represented in the collection have various leftist, socialist, communist, radical, or pacifist (especially anti-Vietnam War) connections. Individuals represented in the files include Ralph Abernathy, Bella Abzug, Roy Cohn, John Foster Dulles, Dwight D. Eisenhower, Michael Harrington, Alger Hiss, J. Edgar Hoover, Jesse Jackson, John F. Kennedy, Martin Luther King, Coretta Scott King, Joseph Lash, Joseph McCarthy, Carl McIntire, Benjamin Mandel, Richard Nixon, Aristotle Onassis, Lee Harvey Oswald, Linus Pauling, Drew Pearson, Eleanor Roosevelt, and Louis Untermeyer.
J. Claude Evans was a United Methodist minister who served in South Carolina, Texas, and North Carolina along with his wife, Maxilla. He edited the South Carolina Methodist Advocate from 1952 to 1957, and was chaplain at Southern Methodist University in Dallas from 1957 until his retirement from the ministry in 1982. The majority of the family's papers relate to the pastoral and counseling career of J. Claude Evans, and include drafts and copies of his sermons, articles, columns, and other writings from the 1940s through the early 2000s on wide-ranging topics such as Christianity, spirituality, abortion, race, sexuality, sexism, nature, equality, aging, and violence. The papers also include some personal materials, correspondence, genealogy, notes and printed materials from his many professional activities, and Evans' subject files. There is a small amount of material created and collected by Maxilla, J. Claude's wife, largely relating to her bird watching and breeding of songbirds in Texas and North Carolina.
DS. De Fere, writing as "le Secretaire de Milice" requests that Louveaux sign and return three attached statements of health. Verso of document bears an undated draft of a letter by an unidentified physician, who, in spite of patient's consent, refuses to comply with a medical insurance company's request for the patient's medical history. The writer cites "le loi du secret medical" as upheld by "l'Association generale des medecins de France", which prohibits the release of patients' medical histories to medical insurance companies.
Julian Deryl Hart (1894-1980), was Professor and Chairman of the Department of Surgery at Duke University from 1930-1960 and President of the University from 1960-1963. As President, Hart dealt with the affairs of administration; organized the Provost group to share in governance of the University; and significantly redefined the responsibilities of the university's administrative offices. During Hart's presidency, faculty salaries and professorships increased, and the admissions policy was amended to make it more equitable. Hart was an active member of the Governor's Commission on Education Beyond the High School. The J. Deryl Hart Records contain subject files from Hart's office files as President of Duke University and annual reports from university offices and departments to the President. Materials include correspondence, published reports, manuscripts, memos, clippings, copies of speeches and addresses, and other types of printed material. Major subjects include the development of the university and the Medical Center, the reorganization of the university's administrative offices, and the advancement of the faculty. English.