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St. Joseph African Methodist Episcopal Church was founded in Durham, N.C. in 1869. The church fan collection consists of 16 fans distributed to congregation members. Fans depict on one side devotional and pastoral scenes; on the other side are religious and promotional messages from various Durham, N.C. African American-owned businesses. Businesses represented include automotive repair shops, bakeries, flower shops, funeral parlors, grocery stores and laundry services. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

St. Katherine's Hospital was founded in 1147 in London, England. Originally situated near the Tower of London, it was relocated to Regent's Park in 1825 and became a residential almshouse for the poor. Collection consists primarily of draft account books and rent account books for tenants of St. Katherine's, and two reports by Royal Commissions about St. Katherine's Hospital.

The Stone Circles records contain materials documenting the history of the organization. These include press clippings, board meeting minutes. staff and financial information, program files, newsletters, event information, and correspondence.

Confederate Army officer, from Lexington (Rockbridge Co.), Va. Collection includes correspondence, commissary papers, vouchers of Jackson's command, soldiers' leave requests, and other papers (chiefly 1861-1865). The commissary records, kept by Turner Ashby and J. H. Halsey, contain information about food in the Confederate Army. Other topics include military operations around Staunton, Va. (circa 1862), enemy movements around Harper's Ferry, a request that Jefferson County soldiers be allowed to march to Shepherdstown to vote, religious denominations opposed to war, captured property, and appointments of men to office. Correspondents and persons mentioned include James Walkinshaw Allen, P. G. T. Beauregard, Armistead Burwell, S. Bassett French, Mary Anna Morrison Jackson, Mrs. Robert T. Meade, and Clementine Neal.

St. Philip's Episcopal Church was founded in 1878 in Durham, N.C. This collections contains vestry minutes, correspondence, minutes from various organizations within the church, rector's notes, church bulletins and programs, slides, photographs, financial records, appointment books, scrapbooks, clippings, canvass reports, auditor's reports, sermons, and printed materials. Also included are the records, notes, and correspondence related to parish historian Harold Parker's history of the church (published in 1997), as well as a complete file of the church's extant sermons (1912-1994) Parker compiled for another book. There are also five reels of microfilm containing copies of vestry minutes, marriage records, a church register, etc., organized by Mr. Parker into roughly chronological order and divided into sections by rectorship.

The Strange Fire Collective was a group of interdisciplinary artists, curators, and writers founded in 2015 by Jess T. Dugan, Rafael Soldi, Hamidah Glasgow, and Zora J. Murff to support the work of women, people of color, and queer and trans artists. Materials include physical and digital records such as printed ephemera, poster reproductions and sheets, exhibition guides and catalogs, social media files, administrative materials, and other files collected by Strange Fire Collective's website spanning 2015-2023. Topics explored in the collection include expressions of identity, gender and sexuality, racism, and current political and social issues. Acquired as part of the Sallie Bingham Center for Women's History and Culture and the Archive of Documentary Arts.

Lithography company founded in Cincinnati, Ohio, in about 1847. The Strobridge Lithographing Company Advertisements span the years 1910 through 1954, documenting much of the company's printed poster advertising work from that era. All images are black and white. The core of the collection, the Image Files Series, consists of around 1000 8x10 photographs ("A" images) of advertising designs, and a similar number of smaller printed cards (approx. 5x7 to 5x8, "B" images) of outdoor advertisement designs. The images are accompanied by three different Access Files to be used to browse the collection. These files are in the form of image photocopies ( "job tickets" ) and catalog cards. Most images are of poster (billboard or transit card) designs, but there are also some photographs of tabletop display advertising, window cards and other point-of-purchase displays. The collection documents advertising during a time when transportation was changing in America, and the automobile was gaining in popularity. Billboards began to replace smaller posters, accommodating a more mobile public. It was then that Strobridge turned from its emphasis on circus and theater posters (not represented in the collection) to billboard ads for mass-produced products. Many different products are featured, but perhaps the two most prominent and well-represented campaigns are those for Camel cigarettes and Palmolive soaps. The images form a valuable reference collection of advertising designs, relevant for researchers from a variety of disciplines including commercial artwork, advertising history and design, and popular culture. The collection documents outdoor advertising design during the first part of the twentieth century for what were mostly national brands. Numerous examples are from the era of hand-drawn and painted designs, often signed by artists including Norman Rockwell, Howard Scott, and Dr. Seuss (see his designs for the product Flit). Rarely, an artist is listed on the back of the image. Later designs from the 1940s and 1950s include photographic images, often peppered with celebrity likenesses including John Wayne, Maureen O'Hara, and Charlton Heston. Many of the celebrity advertisements promoted tobacco products. Some designs are clearly war-era, such as advertisements depicting a 1943 female factory worker, or one from Schlitz (1942) mentioning war bonds.

Strong Women Organizing Outrageous Projects (SWOOP) was a non-profit organization in Raleigh, NC that performed community service projects to help people and organizations in need of home repair and landscaping. The collection includes a series of photo albums and binders documenting SWOOP projects, as well as administrative materials. The binders include correspondence with partner organizations and SWOOP members as well as newsletters and notices about upcoming projects. Board meeting minutes, organizational efforts in the wake of Hurricane Fran, and publicity materials are also included in the collection.

Document, signed. John Mitchell petitions the Hospital for admittance. The Hospital receives the promise of John Haighton, physician, to supply the patient with clean body linen weekly and to remove the body at his expense, if the patient should die within the Hospital's care.

Advertising and business columnist for USA Today and the New York Times.

Stuart Walter Case (1819-1876) was a white store clerk, originally from Indiana, who moved to Arkansas in the late 1830s. This collection consists of his letters home to his father, Thomas Case, which describe Stuart Case's experiences in Fayetteville, Arkansas between 1838-1840. The letters document his eyewitness account of the Trail of Tears through Fayetteville, with discussions of the animosity between different Cherokee factions; the exploitative businesses that sprang up to provision the forced emigrants along their route; and the bustling, diverse, and increasing violent community in Fayetteville.

Stuart Wright (1948-), an author, bibliographer, and publisher, attended Roxboro (N.C.) High School and Wake Forest University, where he received B.A. degrees in German and Music. He received his master's degree in Southern Studies in 1973 and a second master's degree in U.S. History in 1980, both from Wake Forest University. In the late 1970s and through much of the 1980s, Wright served as Lecturer in Education at Wake Forest. The collection consists of materials related to the Virginia writer George Garrett (1929-2008) assembled by author, bibliographer, and publisher Stuart Wright. Wright published George Garrett : a bibliography, 1947-1988 / edited by Stuart Wright. Huntsville, TX: Texas Review Press, Sam Houston State University, 1989.

The records of the Durham, N.C. organization Student Action with Farmworkers comprise: administrative and event files; correspondence; reports, articles, and other publications; student project files; outreach and teaching materials; photographs, artwork, and scrapbooks; audio and video recordings; and materials related to labor organizing and protests across the U.S. Hundreds of student-led projects document through interviews, essays, photographs, videos, and other materials the lives of migrant farmworkers and their working conditions, mostly in NC and SC but also in VA, TN, and GA. Major themes in the collection include: history, working conditions, and abuses of migrant farmworkers in the U.S.; education and outreach efforts; housing, health, and pesticide safety; leadership development for migrant youth; grassroots theater; labor organizing and boycotts; and service learning. Materials are in English and Spanish. Acquired as part of the Human Rights Archive at Duke University.

The Student Activism Reference Collection was compiled from a variety of sources by the University Archives for use in reference and research. Collection contains materials pertaining to student movements and protests at Duke University in Durham, N.C. Contents are chiefly printed materials and include flyers, clippings, publications, petitions, print outs of chants and slogans, and other items. Major topics include: civil rights; human rights; campus labor issues; corporate divestiture in South Africa; anti-Semitism and racism on campus; and global events such as the Vietnam War. Materials in the collection date from 1934 and are added to the collection on a continuing basis.

The Student Institutional Memory Initiative (SIMI) was a student group co-founded by Philip Moss in 2017. The purpose of the group was to document and preserve the experiences and stories of student activists at Duke. The records include member notes, a mission statement, goals, documents related to an oral history project, and meeting minutes and agendas.

Sixteen digital videocassette tapes documenting the 13 April 2000 conference, "We Who Believe in Freedom Cannot Rest: Ella J. Baker ("Miss Baker") and the Birth of the Student Nonviolent Coordinating Committee," held at Shaw University, in Raleigh, NC.

Collection comprises 5 black-and-white gelatin silver developing-out paper photographs taken by SNCC representatives from the Atlanta, Georgia, regional office. One photograph is uncredited, the others were photographed by Joffré T. Clarke, Bob Fletcher, and Tom Wakayama. They are undated, but probably were taken during the 1960s. Subjects in the images are all African-American, and include an elderly woman picking cotton, a young boy drawing with crayons, a little girl in a group watching others, a man slaughtering hogs, and a group building a house.

The Student Nonviolent Coordinating Committee (SNCC) played a major role in the American Civil Rights Movement during the 1960s; its first major photography exhibit was titled "NOW" and opened in New York City in July 1965. Collection consists chiefly of 277 black-and-white photographs in sizes ranging from 2 1/2 x 3 1/2 inches to 16 x 20 inches, taken by SNCC photographers; a selection of these was used in the SNCC exhibit. Also included are paper records such as correspondence, fliers, brochures, and an exhibit layout diagram. Photographers whose work has been identified in the collection are: Joffré Clarke, Bob Fletcher, Danny Lyon, Fred DeVan, and Tamio Wakayama. The images were chiefly taken in Mississippi; other locations include Georgia, and possibly Alabama and Arkansas. Subjects center on conditions for African Americans in the South, voting rights campaigns, and civil rights marches and rallies; includes images of the 1964 Democratic National Convention, the Mississippi Freedom Party and its own Freedom Vote convention, the Selma-Montgomery March, and large rallies in Washington, D.C. Several images show burned-out buildings and cars, and harassed and bloodied demonstrators. People who have been identified in the photographs include Dr. Martin Luther King, Jr., Bob Moses, and Fannie Lou Hamer. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture at Duke University.

The Student Organizations Reference Collection dates from 1913 and was compiled from a variety of sources by the University Archives for use in reference and research. Materials include subject files, fliers, clippings, along with some organizational records of undergraduate, graduate, and professional student organizations at Duke University in Durham, North Carolina. The collection does not include fraternities, sororities, affiliated religious organizations, student housing groups, or groups only associated with Trinity College (to 1924).