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Filmed over a period of 20-years, 70 Acres in Chicago: Cabrini Green chronicles the demolition of Chicago's most infamous public housing development, Cabrini Green, the displacement of residents, and the subsequent area gentrification. This complex, poignant film looks unflinchingly at race, class, and survival.

Instead of building cases and prosecuting criminal elements in the Teamsters Union in 1989, the Department of Justice, under then US Attorney Rudy Giuliani, takes "temporary" control of the entire International Teamsters Union, but was extended for more than three decades trampling free speech and due process for 1.4 million union members.

Raananah is an intimate look at one remarkable community and its independent people as they gracefully age. Fifty years ago, a group of idealistic Jewish immigrants formed a summer refuge, Raananah. Through home movies, we see the founders as young people and hear of their lives and dreams. Today we meet these same people at Raananah as they reflect on their lives, their children, and aging together with dignity. Produced by Kanalu Young.

What is it like to grow up in a family where mothers have always worked outside the home? The Double Burden vividly portrays the lives of three families--one Mexican-American, one Polish-American, and one African-American--each with three generations of women who worked outside the home while also raising families. The film instills tremendous respect for the accomplishments of women and for women of different races, social classes and life-styles. Produced by Kanalu Young.

Yidl in the Middle looks at growing up "different" in America. In this evocative, entertaining film, filmmaker Marlene Booth probes her Iowa-Jewish roots. Through home movies, period photos, her high school reunion, and current interviews, she examines the complicated process of negotiating identity -- as an American, a Jew, and a woman. A compelling film, sure to provoke discussion.

What if you are made to feel ashamed when you speak your "mother tongue" or ridiculed because of your accent? "Pidgin: the Voice of Hawai'i" addresses these questions through its lively examination of Pidgin - the language spoken by over half of Hawai'i's people.

A Chance To Dress explores the complexity of gender expression through the story of MIT Professor Emeritus and open cross dresser Dr. John "Tephra" Southard.

Sometimes I Wonder Who I Am was one of the first independent films of the early Women's Movement. For women brought up in the soap commercial optimism of the time, it articulated the fear which caught them unawares as they found themselves isolated in their homes, cleaning up after their children, and dreaming of the careers they might have had. This brief portrait of a young mother grew out of the experiences of a group of women who found - as they haltingly expressed to one another their feelings of emptiness, anger, and fear - that they were not alone. This film helped to give voice to a generation of American women whose expectations, opportunities and career choices were extremely limited. It is a poignant artistic reminder of what it was like to be a woman in 1969. Many of these feelings are still real for women today.

Anything You Want To Be was one of the earliest and most popular films of the Women's Movement. Made in 1970, this groundbreaking film about a teenager's humorous collision with sex-role stereotypes was one of the first to explore the external pressures and the more subtle, internal pressures a girl faces in finding her identity. Produced and directed by Liane Brandon.

Betty Tells Her Story is the poignant tale of beauty, identity and a dress. It is the saga of Betty's search for "the perfect dress" - how she found just the right one, felt absolutely transformed, and… never got to wear it. The story and Betty are witty, engaging and delightful. Then Betty tells her story again. This time, her feelings emerge and the story is strikingly different. The contrast between the two stories is haunting. Made in 1972, this classic documentary by Liane Brandon was the first independent film of the women's movement to explore the issues of body image, self-worth and beauty in our culture.

Featured in fifteen unforgettable vignettes, are activists of all types, including a suburban housewife who stuffs pamphlets in the pockets of fellow skiers while riding the ski lift, a group of small town citizens who visit their congressman, a shipyard welder, a high school student, a flight attendant, and the founder of an inner city gospel choir who conducts a Concert for Peace. Produced and directed by Liane Brandon.

From botox to bionic limbs, the human body is more "upgradeable" than ever. But how much of it can we alter and still be human? What do we gain or lose in the process? Award-winning documentary, Fixed: The Science/Fiction of Human Enhancement, explores the social impact of human biotechnologies. Haunting and humorous, poignant and political, Fixed rethinks "disability" and "normalcy" by exploring technologies that promise to change our bodies and minds forever. Produced by Regan Brashear.

Watch as one of the largest educator strikes in modern U.S. history unfolds in real-time, highlighting the stories and leadership of some of the women who led it, from union organizers to classroom teachers.