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Note 1: Zoot, Brookmeyer, Leroy??" CDI 1. Midsong: Clarinet, trombone, guitar drums, piano. Oh what a night, and small talk with sax riffs 2. Same into tune with spacious playing for solos. 3. Riffs and "Louisiana?" "a woodland wind" Singing "Hello Central given me Broadway." 4. Louisiana tune CDII 1. Midsong. Glasses clink audible during bass solo. 2. Trombone leads new tune. with several solos. Ends during guitar solo.

Note 1: CDI 1. Piano riffs and woman signing wordlessly. Talking about cats, dogs, children. "Oh honey, what shall we do together?" "Over the Rainbow" "slounds like Ravel..." Smith" rahter, unravel" silly songs and alk with Smith and Overton "Never go back to Georgia. Some more operatic rehearsing. 2. (Jump in content from previous track, now jam session, midsong with gtr, drum piano, clarinet and riffs 3. All of me. CDII 1. midsong, quiet voices and guitar riffs. "Everything I've got belongs to you" (tune) 2. Guitar leads tune 3. Riffs and tune talk "beer" "Anybody got a match?" 4. "Hey Brookmeyer." And then tune. "This is Sunday, right?"

Note 1: Monday, December 22, 1958. Bill Crow, bass; Bob Brookmeyer, Trombone; Zoot Sims, Tenor Sax. CDI 1. Riffs and talk 2. Woman talking hile bass riffs "Davd told me to come inside, so…" Talk" Art Framer and Sonny Rollins about Gunther's article. "Gunther took him all apart." "We're not allowed to talk while the tape is going." "Wasting tape." Smith in mic: "Well, in that case I'd like to say a few words about that." "before you get rid of the tape I'd really like to come over myself and record something." Tape tech talk. 3. Jumps to song. with hand claps, bass, trombone. and talk "by the way, somebody ought to go make that bar, man, before they close, I've got 3 quarts of ..." 4. Bass, sax duet with woman's voice in background. and then with trombone. Tape ends just before song. CDII 1. Midsong and brief comment 2. Riffs, tune talk "Put the mic in the middle here." "...right in front of the Hanson's Drugstore." "right across the street had..." "Bobby, come here please, right now." "I move slow for ayoungter." riffs. 3. Jumps to piano, sax bass with drums. and then talk 4. new tune with several horns

Note 1: "July 1960. Overton's (jam session, dialogues) 6th side Overton's. Some good." CDI 1. End of song and talking. "Play a little more" "Warren/Warne" 2. "What're you doing Bill?" "Vacation" "Gerry/Jerry" "Hi, Paul" "Bob" "Well, he left about 2 o'clock." (Woman's voice in room) 3. tune talk and riffs 4. Tune includes gtr. "Art" and "52nd Street" 5. Snaps into tune. Phone rings. CDII 1. Quiet talk "everybody goes through that, that's the stage you gotta go through." Pending, Smith 2. Smith says "darling' 3. "even the people who are victims of it feel the necessity to join it." "Gene, the nighttime... record player." 4. Smith sings a song 5. "Paul Bley's..." Smith murmurs into the mic. Story about "Lonnie" 6. "Lonnie/Ronnie"

Note 1: June 11-12, 1960. Session at Hall Oveton studio. CDI 1. Talk and tune with bass, drum sax, piano and turmpet 2. Jumps to continued riffs and mic in other room (diminished sound) 3. Tune with muffle CDII 1. Tune "Frank" 2. "Same phone I got hung up on" 3. Into tune, with mistakes "I'd like to hear the record." "Yeah, see how he plays the tune." 4. "C'mon Zoot" with riffs and tune. 5. "Wanna play a ballad." with talk "You know that one, Al/Hal?" Tune Talk 6. Riffs and then tune with humming melody and calling changes." CDIII 1. Tune with poor sound quality, good playing 2. Talk and riffing 3. Standard with great sax 4. Tune led by piano. CDIV 1. Tune contined with piano solo and then bowed bass solo. Phone rings 2. Talking and "Bobby" and "Gary" "Paul" Smith: "Now why in the hell didn't we get this damn wire in, this is all muffed up." "it's all my fault, it's all my fault." (Hall Overton and Eugene Smith recording conversation Feddy and Christian??/ And jumps to a childrens show and Smith talking to his cats.

Note 1: April 1960. "Hall" "Ronnie" Singer? CDI 1. Midsong, bass piano drums then tune talk and into new tune 2. Talk "Old Fats Waller, keepin out of mischief now" "Dave" Smith talking. "Double trouble" Where'd Bobby go?" 3. Tune with piano, drums, bass. "Oh, I'm getting tired, those fast tempos really can kill ya'" "they were too fast." 4. Tune, classic sound. and sound room noise CDII 1. quiet with room noise 2. silence 3. silence and then sound distant voices, Smith and woman in loft. "Ted Runge, on his way...his wife." 4. "Joe" door knock and entrance. "Ronnie" Zoot Sims. Monday, but early Monday cause we got a matinee in Philly. "Are you leaving, (Jay?).." "I don't have a horn" 5. "Gene...home of the world's greatest living actor." "You got two books going, Gene?" Joe ...6. Camera talk "It looks like picture of water spots." ... CDIII 1. Footsteps and loft sounds with some talk "Who's your publisher?" Piano and drums start in other room 2. Piano bass drum play and then Smith raisies volume to accomodate then. 3. Talk "Hi-Fi" "How are you, Bob." 5. Bass led tune, ends midsong