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Collection contains administrative files of the Program in Comparative Studies on South Asia.

The Duke University Program in Education provides opportunities for undergraduates to connect their liberal art studies and the academic work of their major with rigorous intellectual examination of the issues confronting schools, children, and communities. This collection contains reports, inromation regarding the Winfred Quinton Holton Prize for educational research, including prize winning papers and other records.

The Program in Film/Video/Digital, formerly the Program in Film and Video, is an interdisciplinary course of study that introduces students to the critical analysis of film, photography, and television in the context of cultural studies. This collection includes correspondence, production information, publicity materials, and video recordings created or collected by the Film/Video/Digital program.

The Program on Preparing Minorities for Academic Careers was launched in 1989 with a grant from the Charles A. Dana Foundation to Duke University and five historically black colleges and universities: Spelman College, Xavier University, Morehouse College, Hampton University, and Tuskegee University. The program's purpose was to increase the number of minority undergraduate students preparing for careers as college and university professors.

The PSMSE began in the fall of 1976 as a means to foster the transition from a liberal, pre-professional education to a graduate professional education for Duke undergraduates interested in a career in medicine. The collection includes correspondence, minutes, memoranda, reports, grant proposals, and other records. The material ranges in date from 1976-1980.

Progress. Period. is a student organization dedicated to destigmatizing menstruation and raising money to supply menstrual hygiene products to those in need. The Progress. Period. Records include flyers and a button promoting the organization's activities and events.

Project ABC (A Better Chance) began at Dartmouth College in 1964 as a summer program to prepare academically-gifted, underprivileged, and minority students to attend independent college preparatory schools. From 1966 to 1969, Duke University operated Project ABC summer sessions for boys with the goal of easing the transition from public school to private school. Records contain reports, financial materials, and correspondence generated or maintained by Project ABC at Duke University. The bulk of the collection consists of student applications to the ABC program and prep school progress reports. Materials range in date from 1966 to 1969.

Project Child provides first-year students with an experience of extended orientation to both Duke University and the greater Durham Community. The collection contains miscellaneous presentations, committee meeting minutes, xeroxed copies of photographs of Duke and Durham Public School students, and a Project Child t-shirt, documenting the activities of Project Child.

Project WILD is a student-led program focused on outdoor activities and running a pre-orientation wilderness experience in the Pisgah National Forest every August. The Project WILD records include handbooks and training manuals for both staff and participants, photographs, evaluations, and other materials.

Although the exact provenance of the property plats is unknown, it is indicated on the reverse side of some plats that the surveys were used by A. C. Lee, Chief Engineer of the Duke Construction Company and the plats may have been created by the Atlantic Realty Company. This collection includes approximately 100 survey plats of Duke University properties prior to the construction on East Campus and West Campus from the years 1925-1926. Also included are plats representing the Duke Homestead from 1932 that were possibly drawn by V.A. Stewman.

Autograph document, signed. Attests that he attended a Madame Saussair for a rheumatic affection.

In 1973, local fraternity Chi Delta Phi joined Psi Upsilon as its Chi Delta chapter. Psi Upsilon, Chi Delta chapter became a co-ed residential fraternity in 1995. This collection contains composite photographs of the fraternity's members from 1969-2018.

Advertising agency founded in 1926 in Paris, France. Binder of black-and-white photographs highlighting Publicis' work for its clients. Companies represented include Bouchara, Brunswick Furriers, Colgate-Palmolive, Craven cigarettes (brand of Benson & Hedges), Lordson, Timor insecticide (SOFACO), and Weill clothiers. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Publicity Clock was founded 1914 in New York by inventor John Upton Barr, later sold to Louis Neuberger and managed by son Leslie L. Neuberger. Publicity Clock was active from 1914 through the 1930s; it supplied peripheral advertising services to theaters and businesses under its own name as well as under other entities (Sidewalk Ad Service, Ad-Traction Phantom Clock). Collection includes examples of advertisements created for local businesses in the New York area, along with cards and brochures promoting the business and an album of advertising design elements. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Pureun was founded in 2017 for students interested in Korean popular culture. The group performs both original choreography and dance cover from Kpop genres. The collection consists of administrative records, marketing materials, photographs, and video recordings.

This collection contains professional, business, personal and family correspondence and other papers of the related Purviance and Courtenay families of Baltimore, Md., and elsewhere. The collection pertains to Revolutionary War activities in Maryland, shipping and trade, Western lands, settlement of estates, Civil War veterans' activities, the Cuban independence movement, and other matters. Includes papers of John Henry Purviance, U.S. diplomat in Paris, concerning the Monroe Mission (1794), U.S. relations with Napoleon and the Revolutionary French Government; papers relating to the financial affairs of Elizabeth Isabella Purviance Courtenay; papers of Edward H. Courtenay, Sr., relating to his career at West Point, his later teaching duties there and at other colleges, and his investment activities; and letters of Edward H. Courtenay, Jr., written in Washington, D.C., during the Civil War, describing the city and political opinion there. Correspondents include Alexander Dallas Bache, George William Erving, John Graham, Gessner Harrison, Anthony Hart, William Homes McGuffey, William Maclay, George Mason, James Monroe, Abner Nash, Fulwar Skipwith, George Muirson Totten, Thomas Tudor Tucker, and John Vanderlyn.

Quadrangle Pictures, also informally known as Q.P, Quad Pics, and Quad Flix, formed in 1928 to screen films on campus. It quickly became the central source of campus entertainment. Materials in the collection range from 1932 to 1991 and include programs, printed matter, annual reports, financial statements, and advertising campaign materials.

Queen Silver (1910-1998), a life-long resident of Los Angeles, California, was known from a young age as a Freethinker (atheist), feminist, and socialist. Collection includes letters, clippings, broadsides, flyers, a pamphlet, and black-and-white photographs, some mounted, as well as two color photographs.

Collection comprises two portfolios by documentary photographer Rachel Boillot: "Después del dia: Migrant Farmworkers in North Carolina," portraits of farmworkers from across the state of North Carolina, their families, and their residences, and a few shots of workers in the field; and "Moon Shine," portraits of traditional musicians and their families from the eastern Tennessee Cumberland Mountains region, along with images of their residences, interior settings, towns, and natural landscapes. The "Después del dia" work forms part of the multi-artist project "Where we live: a North Carolina portrait." There are 116 color pigment inkjet prints in the collection as a whole, ranging in size from 23x27 to 14x19 inches. Acquired as part of the Archive of Documentary Arts at Duke University.