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2 letters (ALS). One is a certificate to commit a female patient.

Jules Picot was a French chemist and inventor, active between the 1880s and around 1930. Collection primarily consists of documents registering and renewing trademarks for the Phénix brand of laundry detergent in a number of countries. It also includes some ephemeral items: an advertisement for the Jeanne d'Arc detergent; a poster; trade cards.

Julia Comfort (1889-1983) was an actress and model who appeared in a variety of print advertisements and publication illustrations during the 1920s. Collection includes black-and-white photographs and print advertisements that document Comfort's career in advertising photography. Products include apparel, automobiles, cleaning products, cosmetics, eyeglass lenses, Green Stamps, hygiene products, life insurance, mouthwash, paper, and thread. Companies represented in the collection include Bauer & Black; Clark's; J & P Coats; Johnson & Johnson; Lambert Pharmacal (later Warner-Lambert), Lever Brothers; Metropolitan Life; Norwich Pharmacal; and Sperry and Hutchinson. Photographers and studios represented include Aldene; Dana Merrill; Ira Martin; Joel Feder; Lejaren Hiller; and Underwood & Underwood. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Children's book author and socialite Julia Ellsworth Ford writes to fellow children's book writer Helen Hoke offering an introduction to the Yeats family while Hoke is in Dublin. Ford particularly wishes Hoke to meet Elizabeth Yeats because of her printing work with the Cuala Press. She writes that she considers William Butler Yeats the greatest poetic genius to emerge from England and Ireland in the 20th century, but that it will be difficult to meet him because he "is more or less a recluse because of writing all the time."

Collection contains two letters written by Julia Carpenter, 1855 July 24 and 1855 October 5. One letter is written to an unidentified recipient in thanks for a loan of money. Carpenter also writes of her poor health and plans to go on vacation. The other letter is addressed to R. M. Adams. Topics include Carpenter's renting rooms for her work, her brother's illness and her own health, Adams' loan of money, the dedication of the Spiritual Temple, and a divorced couple known to them.

Julian Abele was the chief designer for Horace Trumbauer's architectural firm in Philadelphia, PA. He designed the buildings for the Duke University campus, including Duke Chapel. The reference collection includes articles, correspondence, clippings, printed and genealogical material, and other files related to Abele.

Julian Carr was a tobacco and textile manufacturer and civic leader of Durham (Durham Co.), N.C. He also served on the Board of Trustees of Trinity College (Randolph County, N.C.). The collection includes material related to Carr's service on the Board of Trustees as well as personal family papers. The material ranges in date from 1880-1982.

Collection consists of incoming correspondence (1988-1998) to Julia Nunnally Duncan from North Carolina poet and author Fred Chappell.

Julia Penelope (1941-2013) was a lesbian feminist linguist, educator, and activist. Collection consists of writings and published works, subject files, correspondence, and other materials related to Penelope's career and activist work. These materials document feminist linguistics, lesbian culture, and lesbian history and publishing. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Julia Rebecca Grout (1898-1984) served as Chairman of the Women's Department of Health and Physical Education at Duke University from 1924 to 1964. The Julia R. Grout Papers include correspondence, clippings, writings, printed matter, photographs, and other materials related to Grout's professional and personal interests. Topics include Grout's career and retirement; the history of physical education at Duke; comparisons of American and European physical education; physical education for women; Grout's travels to Southern Africa and Europe; and Grout's participation in the Dedication Committee of Baldwin Auditorium at Duke. English.

Julia Ward Howe (1819-1910) was an author, lecturer, abolitionist, and suffragist, best known for authoring the “Battle Hymn of the Republic.” Collection comprises a letter dated 1909 September 22 from Julia Ward Howe to Magister H.R. Sanborn in which she discusses her plan for reading an unnamed poem at the Hudson-Fulton celebration.

Julie LaValle Jones was a feminist who worked to prevent domestic violence in the Washington, D.C. area. Accession (2008-0029) (3600 items; 4.8 lin. ft.; dated 1970-1998, bulk 1973-1982) includes speeches, essays, pamphlets and other feminist publications (e.g. newspapers and journals), administrative files of all the feminist organizations Jones founded or worked with, conference files, project files, subject files, correspondence, and ephemera (including four posters and two audiocassettes). Some of the organizations represented include the YWCA, My Sister's Place, the Women's Legal Defense Fund's Task Force on Abused Women, and the Feminist Alliance Against Rape. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection spans the pastoral career of United Methodist minister Julius Logan Brasher. Brasher was minister at six congregations in New Jersey from the early 1940s to 1976, when he and his wife Lois Brasher relocated to the Brasher home of Gadsden, Alabama. Collection contains Brasher's diaries and pastor's record books, materials from the churches where he ministered, sermons and accompanying notes, subject and name files, correspondence, photographs, and printed materials.

The Junaluska School of Religion was a summer program sponsored by the Duke School of Religion at Lake Junaluska, N.C. From the late 1920s to early 1940s, Methodist scholars and leaders attended the summer school. The collection mainly consists of correspondence, as well as reports, recommendations, registration cards, and other materials. Major subjects include the school's administration, student enrollment, curriculum, and planning. English.

June Blum is a feminist artist and curator, and was at the forefront of the women's art movement in New York City in the 1960s-1970s. Accession (2009-0174) (150 items; 0.6 lin. ft.; dated 1960s-2005) includes biographies and articles about Blum, programs and announcements from gallery shows she curated or participated in, and some photocopied newspaper articles about her role in the women's art movement. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

June Miller Kimmel (1931-2021) was a white, North Carolina-based women's rights activist. This collection documents June Miller Kimmel's activist and advocacy work in North Carolina, particularly during the 1990s and 2000s. Material is focused largely upon Kimmel's work with the Women's Legislative Agenda and its annual assemblies, as well as subject files about different aspects of women's history. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

ALS. Loder writes of his situation and that of friends and family during the Napoleonic Wars, from Narva in 1806 and from Moscow in 1813. In the first letter, he bemoans the defeat of the German states; mentions the student unrest at the University of Halle and the subsequent closing of the university as yet another setback for the German nation; and sees Russia as the only "nation" which can now hope to defeat Napoleon. Loder, educated in Germany, was born in Riga, Estonia, and thus could be considered a Russian. In the second letter, he expresses fierce Russian nationalist sentiments, for which uncharacteristic effusions he explains that he cannot give reasons in writing. Probably he meant to appease the Russian censors. In this letter he details his efforts to organize and oversee the operation of the field hospital in Kassimoff and describes Moscow before and after the siege.

Collection comprises 40 color inkjet photographs taken from 2005 to 2016 in Durham, North Carolina by photographer Justin Cook. The images examine the intertwined effects of violence, gangs, homicide, incarceration, poverty and urban renewal in Durham. Their subjects include African American families and their experiences of death, loss and grieving; felons' struggles post-prison; police officers and religious leaders; and gatherings of both predominantly Caucasian and African American communities. There are also several views of the city of Durham that highlight its varied and changing architecture. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection comprises 80 color inkjet prints selected from photographer Justin Kimball's projects, "Elegy" and "Pieces of String." The images were taken between 2007 and 2016 in small towns in Massachusetts, New York State, and Pennsylvania, places whose cultural fabric and economic livelihood have been deeply affected by 20th century deindustrialization. The images in the "Elegy" series depict working class neighborhoods, abandoned buildings and industrial sites, and people gathered on streets and porches, leaning out of windows, and playing ball games. The images in "Pieces of String" are of the interiors of abandoned houses and other buildings, taken as the photographer accompanied his brother, an auctioneer, to these properties; all that is left, as revealed in the images, are the artifacts of the former residents' lives, and the decay of the building and the contents within. All prints measure 13x19 inches. Acquired as part of the Archive of Documentary Arts at Duke University.

Autograph prescription, signed.