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Collection contains the business papers of Joseph Gales, Jr., and William W. Seaton, editors of the National Intelligencer. Correspondence pertains to subscriptions, advertising, announcements and letters to the editors. Some prominent names appear in the subscription correspondence. Of particular interest are fifty-six transcripts of Congressional speeches, resolutions, and motions. These were presented for publication and are marked for editing. Among the authors of the manuscripts are Henry Clay, James K. Polk, Martin Van Buren, and Daniel Webster. Many are signed. Part of the Harry L. and Mary K. Dalton Collection.

The Garrett Orr Papers document the artistic output and personal files of advertising executive Garrett Orr. Although the collection spans the years circa 1873 to 1994, the bulk of the materials fall within two main periods: the 1890s to 1914, comprising a photographic collection of old poster images; and 1930 to 1965, which approximates the span of Orr's professional life. The collection includes the original drawings, water colors and paintings produced by Orr as designs for the outdoor advertising campaigns of a wide variety of products such as Gillette razors, Ipana toothpaste (Bristol-Myers), Lucky Strikes and Viceroy cigarettes (Brown & Williamson), Mazola corn oil (Corn Products Refining Company), Seagram beverages, Verney fabrics, and White Rose tea. Also included are folders of photographs, slides and negatives of Orr's advertising work for approximately 550 companies (with index). In addition, a collection of almost 200 large-format negatives and photographs document images of 19th- and early 20th-century posters for plays, musicals, minstrel shows, circuses, and hotels. A large set of clippings files contain published examples of the work of over 100 graphic artists and illustrators contemporary with Orr, including Floyd Davis, Ronald McLeod, George Petty, Howard Scott, Ben Stahl, Jon Whitcomb, and J. Walter Wilkinson. The collection is organized into five series--the General Files Series; the Artists and Illustrators Series; the Product Files Series; the Other Photographic Materials Series; and the Sketches Series. Large-format items from the Artists and Illustrators Series and Sketches Series have been relocated to Oversize Materials.

Collection spans 1840-1986 and includes newspaper and magazine clippings and tear sheets, catalogs, ephemera, memorabilia, and other printed material primarily from the U.S., Great Britain, and France. Advertisements represent products and services from a wide range of categories including alcoholic and non-alcoholic beverages, businesses, cosmetics and other health and beauty products, fashion (including clothing, jewelry and watches), food, hotels and other tourist and travel destinations, household products, movies and theater events, tobacco products (primarily cigarettes) and transportation (airlines, automobiles, buses, cruise lines, trains, tires and other automotive accessories). The bulk of materials are in English, but French, Greek, and Spanish-language items are also present. Companies represented include Ford, Packard, Chrysler, Chevrolet, Coca Cola, TWA, Henri Bendel, Goodyear, and DeBeers. Non-advertising related materials include sheet music from the vaudeville, ragtime, and minstrel era; World War I; and depictions of African Americans, Native American, and other ethnicities in advertisements and print media. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Gene Federico Papers span the years 1918-2003, with the bulk of the collection dating 1951-1991. The collection documents Federico's sixty years as a pioneering leader in advertising and graphic design, and contains materials from a variety of formats, including correspondence, writings, advertisements proofs and clippings, graphic design and printed materials, posters, sketches/sketchbooks, photographs, negatives, and videotapes. In addition to limited personal and biographical material, the collection primarily documents Federico's creative output as a graphic designer, art director, and advertising executive at agencies including Grey Advertising, Doyle Dane Bernbach, Douglas D. Simon, Benton & Bowles, Warwick & Legler, and as a principal at Lord Geller Federico Einstein; the collection has limited material relating to the specific agencies for which he worked. The collection also documents Federico's extensive freelance and exhibition work throughout his career (most notably the "Love of Apples" and "24-Page Book" designs), in addition to his later consulting work for Brouillard Communications. Client advertisements and graphic design materials compose the majority of the collection. Significant clients represented include: Christian Dior; Elektra Records; Elizabeth Arden; Goldman Sachs; IBM; L'Aiglon Apparel; Lady Pepperell; Napier; The New Yorker; and Woman's Day. Though an art director throughout most of his career, Federico contributed significantly to the graphic design and typographical components of advertising. Through clear and innovative integration of design and typographical components, Federico pioneered the use of visual puns in advertisements, and emphasized clarity of message over design complexity. The collection will be of particular value to researchers interested in developments in print advertising and typographical design since World War II. The collection is organized into six series which focus on Federico's contributions to advertising and graphic design: Professional Files, Personal Files, Graphic Design, Advertising Campaigns, Photographs and Negatives, and Videocassettes.

Shuford's papers consist of 89 boxes of correspondence, reports, speeches, and memoranda from his office in Washington, 1952-1959. The collection is divided into four main categories according to the filing system used in the Congressman's office. Subjects, persons, and places appear throughout all categories.

The George Arthur Roberts Family Papers span the years from 1884 until the late 1970s (primarily the first half of the twentieth century), and consist largely of visual documents, including photographs, photograph albums, slides, and negatives; a collection of postcards and a small amount of printed material are also included. While the majority of the images are unidentified, they provide a rich and extensive pictorial record of the activities of pioneer Methodist missionaries, the early missions they established, and the personal experience and growth of one missionary family in this setting. George Arthur Roberts' memoir Let Me Tell You a Story..., copies of which are included in the collection, describes life as lived by these early missionaries and contrasts them with conditions in 1964, the time of its writing. In addition to documenting aspects of missionary history, the Roberts papers also depict the landscapes and peoples of Rhodesia (Zimbabwe) and surrounding areas, particularly the Umtali region (now Mutare), at a time when they remained relatively untouched by western influence. The Papers are organized into the following series based on format: the Photographic Prints Series, Postcards Series, Printed Material Series, Negatives Series, Slides Series, and the Photograph Albums Series.

The George Augustus Lofton Papers span the years 1874-1941, although the bulk of the material dates from 1875-1900. They consist of correspondence, writings and sermons, clippings, book reviews, and printed materials. The collection principally relates to Lofton's career as a Baptist minister serving churches in Dalton, Gal; Memphis, Tenn. (First Church); St. Louis, Mo. (Third Church); Talladega, Ala.; and Nashville, Tenn. (Central Church). The collection mostly contains handwritten sermons and sermon notes, and includes little family or personal material, although a few family letters are in the Correspondence Series. The Correspondence Series, however, primarily contains letters critiquing Lofton's works, Review of the Question and Bible Thoughts and Themes. The Writings and Speeches Series documents Lofton's intellectual growth throughout his career as author and minister. This series also contains Lofton's published text, Character Sketches (1890), and a manuscript draft of his autobiography titled, "My Family Garden." Lofton's sermons and sermon notes track both his spiritual development and writing skills throughout the years of his ministry. The sermon notes reveal his views on slavery, capital punishment, and foreign mission work. The Printed Materials Series includes published brochures and sermons written by Lofton and others, 1881-1914. The Miscellaneous Series contains an assortment of items from 1873-1940 including Lofton family photographs and other materials. Included are items pertaining to Baptist minister George Law Stewart and Dr. Adiel Sherwood.