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Christopher Burkett is a photographer from Vernonia (Columbia County), Oregon. Collection includes twenty-eight Cibachrome photographic prints taken by photographer Christopher Burkett of Christian icons appearing in two 15th century Ethiopic manuscript books of scriptures (MS. Ethiopic 34 and 35) located in the Rubenstein Library of Duke University. The images were painted by two distinct hands, probably copying the images from an original and earlier unidentified source. Themes include a series of scenes from the life of Christ, and images include angels, St. George, and the Virgin Mary.

Christopher Sims is a documentary photographer from Atlanta, Georgia, currently on the faculty at Duke University, Durham, N.C. The 71 color digital photographs in this collection appear in his book, The Pretend Village: Inside the U.S. Military Training Grounds (2021). The photographs were taken by Sims from 2005-2018 at fictitious Iraqi and Afghan villages constructed on U.S. Army bases in remote areas of North Carolina and Louisiana, and in Death Valley, California. Images taken between military training exercises show actors, many of them real-life immigrant Afghans and Iraqis, playing police officers, doctors, craftspeople, farmers, and café owners. Images taken during training include American soldiers in motion or at rest, fictional civilians and insurgents, and simulations of dead or wounded soldiers and civilians. Other images are of buildings, streets, fake interiors, props, rubble, and graffiti and murals. The inkjet prints measure 17x22 inches. Acquired as part of the Archive of Documentary Arts at Duke University.

Activist and participant in a variety of social justice initiatives in North Carolina. The Chuck Eppinette papers span 1963-circa 2012 and consist primarily of legal documents linked to the work of Farm Workers Legal Aid of North Carolina, as well as activist publications distributed by the Southern Student Organizing Committee and those pertaining to Latin America, Eppinette's trial in the 1970s, clippings and other publications related to modern slavery, and an oral history from Eppinette and others. Acquired as part of the Human Rights Archive.

Charles Sumner (Chuck) Stone was a prominent African-American journalist, with a career spanning from his early days at the New York Age (1958-1959) to his position as editor and columnist at the Philadelphia Daily News (1972-1991). Between 1965 and 1967 he was special assistant and press secretary to New York representative Adam Clayton Powell, Jr. He served as mediator between the police and suspected criminals for over 20 years, most notably in his negotiation of the Graterford Prison hostage crisis in 1981. He is the author of multiple books, from political analyses to a novel about his time with Powell and (in 2003) a children's book. He was also an educator for many years, as Professor of English at the University of Delaware from 1985-1991 and Walter Spearman Professor of Journalism at UNC-Chapel Hill from 1991 to 2005, when he retired. The collection contains clippings, correspondence, writings, scrapbooks, photographs, video, audio, research files, and printed materials pertaining to the life and career of Chuck Stone. The papers span the years 1931-2007 and document Stone's journalism career and writings, his political career and relationship with Adam Clayton Powell, Jr., and his role as an educator.

Cipe Pineles was an Austrian-born Jewish artist noted for innovations in magazine design, illustration and typography, based primarily in New York. Collection includes correspondence, photographs, drawings and illustrations and other design work, paintings, advertising and promotional materials, drafts of manuscripts, recipes, financial records and other printed materials that document Pineles's professional and private life, including correspondence and service orders during World War II. Collection also includes materials relating to a number of individuals: Ben Shahn, Carol Burton Fripp, Edward Sorel, Jay Leyda, John Alcorn, Mehemed Fehmy Agha, Sidney Meyers, Will Burtin and William Golden. Institutions represented in the collection include Alliance graphique internationale, American Institute of Graphic Arts, Art Directors Club, Harvard Graduate School of Design, Lincoln Center, Parsons School of Design and the Pratt Institute. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection comprises 18 black-and-white photographs taken in the 1960s, assembled by a private collector and organized into two distinct groups: nine journalistic photographs documenting civil rights movement events, some credited to Student Nonviolent Coordinating Committee (SNCC) photographers Cliff Vaughs, Danny Lyon, and Rufus Hinton, with others unattributed; and nine prints of an unidentified multi-racial dramatic performance, circa mid-1960s, found in the archives of the Wayside Theatre in Middletown, Virginia. The Civil Rights prints typically include detailed press captions on the backs, and include images of injured and jailed demonstrators, police, bombed-out churches, and portraits of activists Fannie Lou Hamer and Atlanta's Markham Street rent protest leader Willie Williams. All the prints except one measure roughly 8x10 inches. Acquired as part of the John Hope Research Center for African and African American History and Culture at Duke University.

Sketch maps from the Civil War period representing geographic areas in Virginia, Tennessee, Kentucky, North Carolina, South Carolina, Mississippi, Alabama, Louisiana, and one unidentified location. These maps chiefly depict roads, waterways, mountain ranges, fortifications, counties, cities, and towns. There are two battlefield maps present, including Bull Run (Va., 1861; a Confederate map) and Spring Hill (Tenn., 1864). Most maps are unsigned; however, there are maps drawn by A. M. Thornton, Barbette Sims, and Edward Fontaine, as well as Confederate Army engineers A. B. DeSaulles and Jeremy F. Gilmer. Primarily drawn in ink on paper or linen cloth. Sizes of maps vary between 24 x 20 cm. and 63 x 60 cm.

Advertising and business executive. President of Dictaphone Corporation (1922-1927, 1948-1960), based in New York. President of Associated Advertising Clubs of the World and International Advertising Association (precursor to American Advertising Federation). C.K. Woodbridge papers include correspondence, text and notes for speeches and writings, clippings, scrapbooks, black-and-white photographs, audio belt recordings and other printed materials. Topics addressed include the management, training and compensation of sales personnel; women in the advertising business; corporate management and public relations; internationalization of advertising and marketing and the role of professional organizations; and product development (importation of margarine from the Netherlands to the U.S. and Canada; popularization of dictating equipment in office spaces). Companies and organizations represented include Advertising Club of New York, American Machine and Metals (parent company of Trout Mining), Anton Jurgens Margarine Works (precursor of Unilever), Associated Advertising Clubs of the World, Dictaphone, Incorporated Sales Managers' Association (UK), International Advertising Association (later renamed Advertising Federation of America merged to become the present American Advertising Federation), Kelvinator, League of Advertising Women, Philadelphia Club of Advertising Women, Remington Rand, and Spencer Kellogg & Sons. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Claire Keyes was the executive director of the Allegheny Reproductive Health Center in Pittsburgh, Pennsylvania. The collection includes Allegheny Reproductive Health Center clinic files; National Coalition of Abortion Providers materials; National Abortion Federation meeting materials; NARAL guidelines and publications; newspaper articles; clinic insurance information; anti-abortion lawsuits, correspondence, threats, and arrests; spirituality counseling and other initiatives; one DVD and one VHS on abortion; and miscellaneous administrative information about the clinic. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Clara Barton (1821-1912) was a nurse and founder of the American Red Cross. Collection includes a diary and calling cards, a military pass, letters, newspaper clippings, a petition, a resolution, and a volume.

Clare Ellaline Hope Leighton was an English printmaker who immigrated to the United States in 1939. The Clare Leighton Papers date from the mid-twentieth century and include woodblocks, preparatory prints and drawings, engravings, and correspondence related to Leighton's artistic practice.

Resident of Harlem, N.Y., advertising executive, and bibliofile. Collection comprises one spiral-bound portfolio (21 pgs.) containing clippings, drawings, and typewritten notes, intended as a prospectus for a proposed new magazine supplement targeted at African Americans, to be carried in newspapers nationwide. In the prospectus, Holte explained the historical role played by African American newspapers in their community, as well as economic growth that made them stable consumers and an attractive targeted market. The advertising opportunity was directed at Lever Brothers Company. Includes 5 pages of correspondence between Holte, Lever Brothers, and THIS WEEK MAGAZINE, all laid-in at the end of the prospectus, that made it clear that Holte's proposal was rejected. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection comprises a 69-page report on "the potential which Nigeria offers for consumption of medicinal and pharmaceutical products" (Foreword) that Clarence L. Holte prepared for John Bowles, President of Rexall Drug & Chemical Co. Topics addressed include location, geographic divisions, climate, population, age, occupations, literacy, ethnic groups, income, consumer and government expenditures, distribution of companies by taxable profits, health and health facilities, government revenue and expenditures, balance of trade, political parties, transportation, telecommunications, periodicals, and cinemas. Includes an appendix, maps, and tables.

Collection consists of research materials, correspondence, writings, clippings and other printed materials, and a few photographs, mainly from the latter half of Gohdes's career. The earliest date (1811) refers to reproductions of original research materials. Correspondence with other American Literature teachers and authors, combined with other materials relating to Gohdes's institutional and organizational affiliations, in particular with Duke University, the Modern Language Association (MLA), and the journal AMERICAN LITERATURE, comprise the most substantive aspects of this collection. They provide insight into American literary scholarship in the early and mid-twentieth century. Noted authors and scholars of the time whose letters and other writings are in the collection include Alexander Blackburn, Oscar Cargill, Lewis Chase, Robert Elias, Norman Foerster, Arthur Rubin, Arthur Quinn, and Upton Sinclair. Original manuscripts by Gohdes, inscribed reprints of writings by his colleagues, and materials relating to many major British and American literary figures, make up the rest of the collection. There is substantial material on Edgar Allen Poe and American humor. The collection also includes papers documenting Gohdes's research and writing for his last book project, a history of the muscadine grape in North Carolina entitled Scuppernong, North Carolina's Grape and Its Wines. Acquired as part of the Jay B. Hubbell Center for American Literary Historiography

Clarissa Sligh is an artist and author of works such as Wrongly Bodied, Reading Dick and Jane with Me, What's Happening With Momma? Jake in Transition, and It Wasn't Little Rock. Collection includes materials relating to Sligh's career as an artist, with particular focus on her various projects and exhibitions in the 1980s, 1990s, and early 2000s. Projects represented include Jake In Transition/Wrongly Bodied, Witness to Dissent/It Wasn't Little Rock, Coast to Coast, Sandy Ground, Malcolm X: Man, Ideal, Icon, What's Happening With Momma? and an NC Reunion/Slavery project, along with several others. Sligh's files frequently include correspondence, research materials, drafts of essays and exhibition plans, clippings and other source materials, contact sheets and slides, and occasionally exhibit pieces and texts from the actual installation. Other items included in the collection are exhibition binders and scrapbooks kept by Sligh to document her career; correspondence and communication between Sligh and other artists, galleries, or publishers; catalogs and publicity materials from Sligh's many exhibitions, shows, and publications, artists' books, materials documenting Sligh's art and process, large framed photographic prints; and other materials. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Classical Club, founded in 1910, was a social academic club for male students and faculty of Trinity College (now Duke University). Female students joined the club in 1924. The club promoted interest in the language, literature, and art of ancient Greek and Roman cultures. Materials include minutes, constitutions, bylaws, a sketch, calendars, membership lists, correspondence, a draft of a paper, and clippings. Major subjects include Trinity College history, Duke University history, student groups, male college students, study of classical languages and appreciation of classical literature. Materials range in date from 1910 to 1944. English.

Professor of English, Clemson University (So. Carolina). Lecture notes, correspondence, reading lists, bibliographies, syllabi, addresses, unpublished articles and other material.

Two letters (ALS). One letter congratulates M. Devilliers upon receipt of an award, while another provides a recommendation for M. Vinot, a medical student.

ALS. Pillet refers to Daniel Chodowiecki.