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Cipe Pineles was an Austrian-born Jewish artist noted for innovations in magazine design, illustration and typography, based primarily in New York. Collection includes correspondence, photographs, drawings and illustrations and other design work, paintings, advertising and promotional materials, drafts of manuscripts, recipes, financial records and other printed materials that document Pineles's professional and private life, including correspondence and service orders during World War II. Collection also includes materials relating to a number of individuals: Ben Shahn, Carol Burton Fripp, Edward Sorel, Jay Leyda, John Alcorn, Mehemed Fehmy Agha, Sidney Meyers, Will Burtin and William Golden. Institutions represented in the collection include Alliance graphique internationale, American Institute of Graphic Arts, Art Directors Club, Harvard Graduate School of Design, Lincoln Center, Parsons School of Design and the Pratt Institute. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection comprises the entirety of William Gedney's photographic career, beginning with his student years at Pratt Institute in the 1950s to his early death in 1989. The materials reveal Gedney's intense and meticulous dedication to his work, and his interest in street photography, portraiture, night photography, and the study of human nature. His earliest serious project was undertaken in Kentucky, where he stayed with a coal-miner's family for several weeks in 1964 and again in 1972. His work took him across the U.S. several times, with extensive photographic projects in Chicago, Detroit, Pennsylvania, South Dakota - particularly the Rosebud Sioux Indian Reservation, and southern and northern California. During these trips, as well as in New York City, he also photographed well-known composers. Fascinated by human group dynamics, he photographed parades, hippies and other street people, and crowds. He also traveled to Kolkata (Calcutta) and Varanasi (Benares), India, England, Ireland, Paris, and Amsterdam. The collection offers roughly 76,000 unique images represented by the over 2000 contact sheets, with over 19,000 selected images in the form of work prints and 1466 exhibit-quality large prints. Other formats include slides, a complete set of master negatives, and personal snapshots. The breadth of these materials offers deep insights into Gedney's editorial process and artistic vision. Additional perspectives on his life and work can be found in his many notebooks and journals; artwork; handmade books; correspondence files; financial, legal and medical records; memorabilia; audiocassettes; and teaching materials. Acquired as part of the Archive of Documentary Arts at Duke University.

The Gotham Inc. advertising agency was established by the Interpublic Group in 1994 as an independent agency of the global marketing services holding company. Gotham Inc. is one of New York's leading integrated communication agencies. The Gotham Inc. Records contain primarily video and print advertisements created for clients by Gotham's predecessor companies Daniel & Charles and Laurence, and Charles, Free & Lawson. The materials span 1967-1997 and include videocassettes, slides, magazine and newspaper advertisements, and memorabilia as well as agency brochures and limited general information. Clients represented in the collection include: Bristol-Myers (Ban, Bufferin, Comtrex); Clairol (Herbal Essence, Infusium); Dial; Drackett (Endust, Renuzit, Vanish); GAF Corporation; Ross Laboratories (Ensure, Selsun Blue); Thompson Medical (Cortizone, Dexatrim); and American Home Food Products. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Anne and Frank Warner were folklorists and folk song musicians. The Anne and Frank Warner Collection, with materials from as early as 1899 to as late as 2000, documents the Warners' active life of collecting, recording, and producing music and publications associated with traditional American folk song culture, primarily from along the eastern seaboard areas, in the Appalachian Mountains of western North Carolina, and as far as New Hampshire to the north.

The German broadsides collection spans the years 1870-1990, with the majority of items dating from the 1920s. Broadsides (single-sided announcements and texts) predominate, but there are also several diplomas, leaflets, handbills, campaign publications, political brochures, propaganda posters, and other ephemera documenting the political, economic, and social conditions in Germany, Eastern Europe, Russia, and China, particularly during the Weimar Republic. Many of the broadsides relate to elections during the 1920s and the legacy of World War I as well as the political implications of women's suffrage during that time. Political parties represented include the Socialist Party, the Communist Party, the German Democratic Party, and the German National People's Party, as well as several smaller parties. The majority come from cities across Germany, with Leipzig and Berlin strongly represented. Additional materials include Allied propaganda leaflets and Holocaust exhibition posters, as well as materials relating to the assassination of German Foreign Minister Walther Rathenau in 1922, and several diplomas, 1870-1924 relating to the Von Baudissin family. Closely related to the German Newspaper Clippings Collection.

Ben Alper is an artist based in North Carolina. His series, An Index of Walking, won the 2015 Archive of Documentary Arts Award for Documentarians Working in North Carolina. An Index of Walking is a yearlong photographic project that explores the enigmatic intersection of memory, place, geography, and perception. Taken along the same daily walk in his neighborhood, the photographs depict the commonplace objects and spaces that comprise what could be any typical suburban area. Alper writes that "My walks have been a vehicle for exploration, contemplation, and looking; they have provided a structure in which to engage with the place in which I currently live." Collection acquired as part of the Archive of Documentary Arts (Duke University).

Advertising executive and music director for Young & Rubicam and Benton & Bowles agencies in New York. First African American with hold general creative managerial responsibilities in a major American advertising agency. Noted composer and concert pianist.

Manufacturer of cotton, wool, and synthetic fabrics, originally located in Mooresville, NC. Correspondence, minutes of meetings of stockholders and of directors, audit reports, financial statements, stock records, and general and subsidiary account books of a Mooresville, N.C., manufacturer of cotton, wool, and synthetic fabrics, draperies, upholstery, toweling, and wearing apparel, which was absorbed by Burlington Industries in 1955.

Joseph Cable Wetherby served as Associate Professor of English at Duke University from 1947-1976. The papers consist of correspondence, printed matter, speeches, clippings, minutes, memoranda, teaching aids and other teaching materials, student papers, photographs, research notes, and writings. Major subjects include the teaching of English to international students at Duke, broadcasting and the development of the WDBS radio station at Duke University, and the Duke University Debate Team, which Wetherby coached for over 20 years. English.

McCann-Erickson, founded in 1930 from the merger of Alfred Erickson's and Harry McCann's agencies, is one of the largest advertising agencies in the United States. It is part of the Interpublic Group. The McCann-Erickson Audiovisual Collection spans the 1980s and 1990s and consists of over 700 videocassette tapes of commercials for domestic, international and global advertising campaigns. Also included are tapes of competitor commercials; interviews with agency and industry leaders and marketing specialists; and presentations. Advertisers include: Apple computer; Bayer; Benson & Hedges; Buick; Calvin Klein; Camel (R.J. Reynolds); Coca-Cola; Del Monte; Exxon; Heineken; Kodak; Levi Strauss; Nestlé; Oxo; and Suntory. The bulk of materials consist of advertisements for campaigns in the United States, but Brazil, Japan and Germany are also heavily represented, as are commercials for Europe-wide campaigns. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.